Oh, something that works, perhaps?
There must have been a reason for it originally. To use such high value pots with lower impedance pickups, they must have wanted a bright tone. Or they got them cheap, like with the lipstick tubes.
Bingo.
What truss rods? The Dano I have doesn't have truss rods. It needs truss rods though.
Sure. That's my point.
It also needs controls that work, so why screw it up for "authenticity," when they've already changed the pickups to hotter output, put in a trussrod, totally changed the body build and materials, etc., etc. It's not like anyone's going to know what value pots they used, especially when they're not even marked.
That's just stupid.
Not really. See above.
But Danos were ultra cheap guitars that happened to have gotten popular for their quirkiness.
By younger people who never had any authentic experience with them. Fake nostalgia.
The originals were rightfully reviled, though stuff like the baritones were picked up for use in the studio for part of the tick-tack bass sound and occasionally for novelty bass.
Then it wont be a reissue. Why stick to that wooden bridge and all? Why make them with poplar necks, and pine and masonite? Becaus that's how they were made.
That's not how they're made now. They're made with plywood and a different kind of composite from Masonite, and maple necks with trussrods and big, shiny "TOTALLY SHIELDED" trussrod covers. The
only things original are superficial.
Totally different.
How are the wires crossed?
I don't know they were. My point was that I could
understand a production screwup by a tired worker. That happens a lot (and did -- stuff came factory-broken on the first one).
I can't understand an intentional and pointless screwup in the factory spec.
If they were doing something that was actually a museum-grade purist reproduction I could understand it, but they aren't. That's the whole point.
Virtually everything is different, from the body and neck build to the pickups.
Fender continues to do dumb wiring and electronics, but people complain when they change stuff. We are in the midsts of a "vintage" fad. I'll be happy when it's over!
I'm astounded by the wrongheadedness of a lot of Fender production choices in the past two years, and I know that the guys in FMIC design are furious and depressed, as Fender is making things that are just WRONG part of the production routine just because a bunch of morons at a focus group thought it would be "awesome." They are doing some incredibly stupid things.
However, I can't believe that any gristlehead in any focus group in the world asked Evets for tone controls that didn't work.