I voted “Other” but not because I have a preference for another wood than was listed. In my limited experience I’ve found that while I may generally enjoy rosewood the most on regular production basses there are a number of other factors to the sound of an instrument that also influence its tone.
For instance, I’ve never been a fan of how bright a maple-fretboard J sounds and prefer rosewood here, but a rosewood-fretboard P sounds a bit too dark and dull to my ears. Ebony on a Thunderbird gives it a nice little zing or clarity on the top end that I don’t hear with rosewood, and though I don’t own one I like the sound of a maple-fretboard MusicMan over any other option on that platform. To be clear, I don’t have that refined an ear so the differences may be in my head but to me they are present.
Just as important to me is also the look. Now that I’m getting into custom builds I generally choose a fretboard wood not just on it’s tonal characteristics but also on the overall aesthetic of the instrument specs and final vision of what the instrument was supposed to be.
For instance, I’ve never been a fan of how bright a maple-fretboard J sounds and prefer rosewood here, but a rosewood-fretboard P sounds a bit too dark and dull to my ears. Ebony on a Thunderbird gives it a nice little zing or clarity on the top end that I don’t hear with rosewood, and though I don’t own one I like the sound of a maple-fretboard MusicMan over any other option on that platform. To be clear, I don’t have that refined an ear so the differences may be in my head but to me they are present.
Just as important to me is also the look. Now that I’m getting into custom builds I generally choose a fretboard wood not just on it’s tonal characteristics but also on the overall aesthetic of the instrument specs and final vision of what the instrument was supposed to be.
