Oh yeah, they're no joke lol.The Roto 50-110 flats set has over 250lbs of tension...![]()
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Oh yeah, they're no joke lol.The Roto 50-110 flats set has over 250lbs of tension...![]()
Oh yeah, they're no joke lol.
That's one of the reasons why I won't put them on anything else. The Steve Harris P has a baseball bat neck so it can handle them. Even the 45-105 77s are like 240lbs of tension tho. I tried those on one of my Js and they came off within a few days. Plus they just don't have that old school flats tone like the GHS have. I played in a Maiden tribute band for a while so to get Steve's sound you gotta use the Rotosounds because nothing else compares. I tried to even custom order some monel wrapped flats in that gauge but with less tension from a few smaller custom string companies, and no one I called would do it. They're not terrible once you get used to them tho, but it makes going back to lower tension strings abrupt at first.They certainly aren't. Hopefully basses strung with those don't suffer any damage.
Both.Did you worry that they would be too much tension for your Jbass or you just didn't like the tone/feel?
You're a madman. Two completely different sides of the spectrum. Respect.GHS P flats are my favorite, and I also use the Steve Harris Rotosound 77s on my Steve Harris Precision, but I wouldn't use the Rotos on anything else. They're a must for his tone tho.
Haha, thanks. I mean, it makes sense tho. Old school flats on a 60s reissue J and the signature flats on the guys signature bass. I have 5 basses so, gotta have different flavors!You're a madman. Two completely different sides of the spectrum. Respect.
No, you're absolutely right. Need toHaha, thanks. I mean, it makes sense tho. Old school flats on a 60s reissue J and the signature flats on the guys signature bass. I have 5 basses so, gotta have different flavors!
Only way to really know is to try a bunch. I was hesitant for a while about the GHS flats because of the 38in wind, but im glad I finally pulled the trigger on a set. It is a pain to bend the E around the tuner, and it takes longer for the E to intonate because of it but it's fine. I wish GHS would make those in the 37.25 wind again.No, you're absolutely right. Need to
Match the right strings to the bass. I keep learning that lesson the hard way.
You're right. I need to embrace that. It's silly to think a bunch of reviews will let me know what my ears think. I can do setups. Time to just try stuff myself!Only way to really know is to try a bunch. I was hesitant for a while about the GHS flats because of the 38in wind, but im glad I finally pulled the trigger on a set. It is a pain to bend the E around the tuner, and it takes longer for the E to intonate because of it but it's fine. I wish GHS would make those in the 37.25 wind again.
Yeah and the setup makes a big difference in a strings response too. The differences in the few demos of the Markbass flats on Precisions are fairly different.You're right. I need to embrace that. It's silly to think a bunch of reviews will let me know what my ears think. I can do setups. Time to just try stuff myself!
Also nice to see another vote for GHS Precisions. I like what I hear through my studio monitors (though I expect the various sample sources are compressed to death). I like GHS and played Boomers back when I was younger and cool. I should try some myself.
Man, that's such an underrated point; setup matters! I personally set up higher so I have room to dig in without "overdriving" the strings. That heavily weights on string preference for a number of good reasons.Yeah and the setup makes a big difference in a strings response too. The differences in the few demos of the Markbass flats on Precisions are fairly different.
I love the GHS flats. Perfect tension for what I like and they sound a little broken in out of the pack.
No, I've never given the GHS flats a go. I'm a GHS fan but I've always shied away from the flats out of concern they'll be too dark / muddy in a live mix.@Frovan
@Nerve
Have you ever tried the heavier (55-105) GHS flats set?
No, I've never given the GHS flats a go. I'm a GHS fan but I've always shied away from the flats out of concern they'll be too dark / muddy in a live mix.
What do you mean? Like tune them down an octave lower?May I ask, by the way, in order to have less tension, is it possible to tune high tension D and G flatwound strings to D1 and G1 (namely same octave as E and A strings) instead of the normal d2 and g2?
Yes, is this possible in case they are very high tension, like 65-68lbs per string?What do you mean? Like tune them down an octave lower?
Yeah you could do that I suppose. Same as any other string that's tension and gauge will allow that.Yes, is this possible in case they are very high tension, like 65-68lbs per string?
Yeah you could do that I suppose. Same as any other string that's tension and gauge will allow that.