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Melvin Smith - blues bass excellence


That vid is from a few years back, do you know if he still tours with John Primer? A friend of mine from college, Bob Corretore, plays harmonica with Primer, and I finally caught up with them on their yearly jaunt out west near me, but Melvin was not the bass player. They’re due out again here in October, and I’ll go again. Bob was from Chicago, and gave me a deep education in the blues, and now runs a venue in Phoenix.
 
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Yeah he's great. Although I find his tone a bit bright for my taste.

I've played that show before. They have a nice setup there. They bring in a small studio audience.
That means he’s not stuck in the past. This is the same reason I really enjoyed Johnny B. Gayden with Albert Collins. He applied funky, but restrained slapping to Collins’ music to great effect. Another thing interesting about Smith is that he plays a 5(as does Gayden occasionally), which I think the blues orthodoxy would have a problem with.
 
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That means he’s not stuck in the past. This is the same reason I really enjoyed Johnny B. Gayden with Albert Collins. He applied funky, but restrained slapping to Collins’ music to great effect. Another thing interesting about Smith is that he plays a 5(as does Gayden occasionally), which I think the blues orthodoxy would have a problem with.
All the best Blues guys I have seen have used the opposite of what all the hobby guys think you need to play blues.

Easty on his 5 string Yamaha, Reggie Richards also on a 5 String Yamaha, guys on Ken Smiths, Spectors. Most of them running Aguilar and other modern amps.

Funnily enough, the most compliments I ever got for a Blues was also on a TRB through a Markbass.
 
That means he’s not stuck in the past. This is the same reason I really enjoyed Johnny B. Gayden with Albert Collins. He applied funky, but restrained slapping to Collins’ musicto great effect. Another thing interesting about Smith is that he plays a 5(as does Gayden occasionally), which I think the blues orthodoxy would have a problem with.
I still love cats like Johnny B, but I've personally have come full circle on that. I now really like a more old school approach to blues bass with a less bright tonality. One of my faves these days is journyman Scot Sutherland.
 
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That means he’s not stuck in the past. This is the same reason I really enjoyed Johnny B. Gayden with Albert Collins. He applied funky, but restrained slapping to Collins’ music to great effect. Another thing interesting about Smith is that he plays a 5(as does Gayden occasionally), which I think the blues orthodoxy would have a problem with.
Apparently I’m stuck in the past then with flatwound strung vintage Fender P bass and old, dead, roundwound strung USA Lakland P bass. It has served me well though. I keep getting more and more calls for gigs backing up some bigger artists. I’m probably not changing any time soon.
 
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