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That vid is from a few years back, do you know if he still tours with John Primer?
After their gig(in almost a couple of months)I’ll check back in and let you know.Not sure … John’s website does show Melvin as their current bass player and says they’re glad to “have him back” so yeah, maybe:
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That means he’s not stuck in the past. This is the same reason I really enjoyed Johnny B. Gayden with Albert Collins. He applied funky, but restrained slapping to Collins’ music to great effect. Another thing interesting about Smith is that he plays a 5(as does Gayden occasionally), which I think the blues orthodoxy would have a problem with.Yeah he's great. Although I find his tone a bit bright for my taste.
I've played that show before. They have a nice setup there. They bring in a small studio audience.
All the best Blues guys I have seen have used the opposite of what all the hobby guys think you need to play blues.That means he’s not stuck in the past. This is the same reason I really enjoyed Johnny B. Gayden with Albert Collins. He applied funky, but restrained slapping to Collins’ music to great effect. Another thing interesting about Smith is that he plays a 5(as does Gayden occasionally), which I think the blues orthodoxy would have a problem with.
I still love cats like Johnny B, but I've personally have come full circle on that. I now really like a more old school approach to blues bass with a less bright tonality. One of my faves these days is journyman Scot Sutherland.That means he’s not stuck in the past. This is the same reason I really enjoyed Johnny B. Gayden with Albert Collins. He applied funky, but restrained slapping to Collins’ musicto great effect. Another thing interesting about Smith is that he plays a 5(as does Gayden occasionally), which I think the blues orthodoxy would have a problem with.
I now really like a more old school approach to blues bass with a less bright tonality.
Apparently I’m stuck in the past then with flatwound strung vintage Fender P bass and old, dead, roundwound strung USA Lakland P bass. It has served me well though. I keep getting more and more calls for gigs backing up some bigger artists. I’m probably not changing any time soon.That means he’s not stuck in the past. This is the same reason I really enjoyed Johnny B. Gayden with Albert Collins. He applied funky, but restrained slapping to Collins’ music to great effect. Another thing interesting about Smith is that he plays a 5(as does Gayden occasionally), which I think the blues orthodoxy would have a problem with.
I still love cats like Johnny B, but I've personally have come full circle on that. I now really like a more old school approach to blues bass with a less bright tonality. One of my faves these days is journyman Scot Sutherland.