• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Mesa amp…….do it?

you wont regret it .. The previous posters are all correct about the great matching of the subway cabinets and heads. When you do get the D800+ ( and after you stop grinning )see if you can find somewhere that has a subway 15 in stock to try it with .. It's a real " Oh yeah, now I get it " moment.
 
  • Like
Reactions: MCF
you wont regret it .. The previous posters are all correct about the great matching of the subway cabinets and heads. When you do get the D800+ ( and after you stop grinning )see if you can find somewhere that has a subway 15 in stock to try it with .. It's a real " Oh yeah, now I get it " moment.

He's already got a SW410. This was a near certain "OH NO!!!" reaction had he missed out, and we are now up to 5 pages of people going "welllll JAAAAAAAAAA" to his "should I?" :roflmao:
 
Wait a second... dumb question incoming.

What's the difference between the "Subway D-800", "Subway D-800-plus", "Subway WD-800", and the "Subway TT-800"?
Basically, the D’s are all solid-state front ends while the WD’s and TT’s are tube-driven front ends. There are feature sets that are also present that add to the differences as the lines developed.

Then there is the tone differences between them that I leave to others to determine and describe.

:)
 
Last edited:
I am eyeballing the WD-800 and that TT-800 hard, I might add.... I do really like Mesa's stuff - I was an early customer of the TransAtlantic-15, loved a Boogie 400+ and an 8:88 for a few years, etc. Heck, my main guitar rig is STILL an Express 5:25, which I cherish dearly.

Where might a curious mind be able to get some descriptions of the tonal differences between those two? I'm particularly interested if one or the other handles a low B and/or an upright better. My performance-genres are _all over the map_ - just this month, I'm performing trad-country, modern country ("rock", sung with a twang and a banjo/mandolin somewhere in the wall-o-sound with the usual electric guitars), Motown soul, and classic-through-90s-and-early-aughties rock/pop music. Somewhere in there I find time to host a monthly jazz night running Real Book tunes too.... :laugh:
 
I am eyeballing the WD-800 and that TT-800 hard, I might add.... I do really like Mesa's stuff - I was an early customer of the TransAtlantic-15, loved a Boogie 400+ and an 8:88 for a few years, etc. Heck, my main guitar rig is STILL an Express 5:25, which I cherish dearly.

Where might a curious mind be able to get some descriptions of the tonal differences between those two? I'm particularly interested if one or the other handles a low B and/or an upright better. My performance-genres are _all over the map_ - just this month, I'm performing trad-country, modern country ("rock", sung with a twang and a banjo/mandolin somewhere in the wall-o-sound with the usual electric guitars), Motown soul, and classic-through-90s-and-early-aughties rock/pop music. Somewhere in there I find time to host a monthly jazz night running Real Book tunes too.... :laugh:

I have the TT-800. It handles everything I can throw at it, including my B strings.
 
I am eyeballing the WD-800 and that TT-800 hard, I might add.... I do really like Mesa's stuff - I was an early customer of the TransAtlantic-15, loved a Boogie 400+ and an 8:88 for a few years, etc. Heck, my main guitar rig is STILL an Express 5:25, which I cherish dearly.

Where might a curious mind be able to get some descriptions of the tonal differences between those two? I'm particularly interested if one or the other handles a low B and/or an upright better. My performance-genres are _all over the map_ - just this month, I'm performing trad-country, modern country ("rock", sung with a twang and a banjo/mandolin somewhere in the wall-o-sound with the usual electric guitars), Motown soul, and classic-through-90s-and-early-aughties rock/pop music. Somewhere in there I find time to host a monthly jazz night running Real Book tunes too.... :laugh:
https://www.talkbass.com/threads/official-mesa-boogie-subway-series-club.1181245/
 
  • Like
Reactions: DJ Bebop
Basically, the D’s are all solid-state front ends while the WD’s and TT’s are tube-driven front ends. There are feature sets that are also present that add to the differences as the lines developed.

Then there is the tone differences between them that I leave to others to determine and describe.

:)
Another big difference is the D amps are single channel, the higher priced WD and TT are two-channel amps, so a lot more flexibility there.

For me, personally, I’ve come to the realization that since I play active basses with fairly powerful onboard EQs, a one channel amp is fine for me.
 
  • Like
Reactions: DJ Bebop
Another big difference is the D amps are single channel, the higher priced WD and TT are two-channel amps, so a lot more flexibility there.

For me, personally, I’ve come to the realization that since I play active basses with fairly powerful onboard EQs, a one channel amp is fine for me.
The WD is single channel, the TT is 2 channel.
 
Another big difference is the D amps are single channel, the higher priced WD and TT are two-channel amps, so a lot more flexibility there.

For me, personally, I’ve come to the realization that since I play active basses with fairly powerful onboard EQs, a one -channel amp is fine for me.

IMG_4540.gif

The WD is a single-channel amp whereas the TT is a two-channel amp.

You can use the WD like a two-channel amp by setting up the switchable 3 bands of mids with a different setting and switching them off or on, giving you a second sound but not a second channel.

I do that all the time!

:)
 
Last edited:
I think I need to break down and RTFM on this thing :laugh: Several rehearsals and one gig with the TT-800 and... meh? It's very "sterile" sounding, on any channel, compared to my TH. I just want a nice warm woolly 'toob' tone that Jamerson would be proud of, and then be able to kick over to a different channel for some crunchy light OD for a chorus or two.
 
  • Like
Reactions: WRM and DJ Bebop