Well guys,
had an outdoor gig-rehearsal last week end, using the WA trough a barefaced bb2, G&L jazz bass. Best tone I ever had bar none. I use flatwounds (La Bella) but I want a bit of grind when I dig in or use the pick, so I eq'd it as follows: gain: 1 oc, bass 11:30 oc, 250 Hz + 1-2 db, 1300-1500 Hz + 2-3 db, 1600-1800 + 2-3 db, treble + 2-3 db, mids from 12 oc to max (I was experimenting). The eq changes are not precise, but I think I'm in that order of things.
The tone was fabulous. The meaty, bold. massively defined bulk of sound. The sound was pregnant. No problem with two screaming middy guitars in open field. Surprisingly, I had no need for more watts at all. I began using the master up to 10 oc, but I was blowing away the venue, so I ended with the master a tad lower than 9 oc, and it was plenty. We do not play loud, and we are very disciplined in this regard, and we do not play large venues, but the WA spits out a healthy power. i can't figure out how to use it with the master turned higher than 10 oc with my band...but I'm sure it sounds glorious that way.
The tone was really cutting, I mean, the fingestyle tone was super defined and the pick was really aggressive. I can't understand how people do think that this amp is full sounding, most of all but maybe without clarity. Yes, I used a good bit of eq (awesome, super effective), but the result was stunning. Got compliments or the lack of criticism by the other members of the band. The singer, without obeying to the BL, sat directly in front of my cab and every time we had a break he was telling me he was in heaven because of the bass tone.
Conclusions:
- the WA confirms to be a great piece of gear
- no, in my opinion it is not so easy to reproduce that kind of tone with other amps
- the 150 watts in real life are plenty if you push a bit the gain to the edge of tube clipping and use a healthy amount of mids, wich, IMO, sound so good in this amp