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Metalwork: Building A Fender-Style Bridge From Scratch

Bruce Johnson

Gold Supporting Member
Commercial User
Feb 4, 2011
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Fillmore, CA
www.xstrange.com
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Professional Luthier
I'm sure you've all seen JIO's thread Back To The Future circa 1985, where he brings a rare old Fender Performer back to life. When he got it, it was missing the original bridge, so he asked me to make up an authentic replica.

Why did we need to make one? Well, the Performer bridge is classic Fender-style construction, with the bent steel base plate and the barrel saddles. But all the dimensions are different from the commonly available P and J bass bridges. It's narrower string spacing, a long narrow base plate, larger diameter barrels, etc. JIO wanted to keep this bass authentic.

So, I thought I'd show you guys how I built this bridge; what machines and techniques are needed to make parts like these.

Most instrument hardware can be made with hobby-level metalworking machinery. The two main machines are a benchtop metalworking lathe and a small milling machine. Other helpful tools are a slow speed metal cutting bandsaw, a drill press, a small hydraulic press, and a grinder with a finishing wheel.

The first step is to design and draw up the parts accurately. I use an old 2003 version of AutoCad LT, which is a simple 2-D drawing program. Last summer, Keith and I did some modifications to another original Performer, improving the mounting of its bridge. Since I had its bridge here in my shop, I took the time to measure it and write down the numbers. From those notes and pictures that JIO sent me from another Performer owner, I drew up the plate and saddles as accurately as I could.

Here's a printout of the drawing next to the finished parts.

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Getting started, the bridge plate is made from 0.090" mild steel plate. I buy steel plate in small pieces from my local metal supplier. I used soft mild 1018 alloy for this because it needed to be bent.

You may have seen the base plate I made earlier for the Transformer project, where I sawed a section out of a piece of rectangular steel tubing, to get the bent part. That was 0.125 thick steel; this one needs to be 0.090" thick. Scraps of tubing of that wall thickness are harder to find, so I needed to bend this one.

I made the bend in my hydraulic press. This is a basic 10 ton press that I bought for $100 from a friend who was closing down an auto repair shop. I bought the shop-made bending die set from another friend. Someday I'll machine up a better die set for it.

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It's difficult make the bend exactly where you want it on the part, plus you need some extra material beyond the bend for the die to press against. So, I sawed out the plate oversized length and width, made the bend, then trimmed it to size in the mill.

I sawed the plate using my steel-cutting vertical bandsaw. It's a regular sized 14" bandsaw, with an extra gearbox and belt drive to slow it down to steel cutting speeds.

Here's the oversized plate after bending:

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Next, I clamped it vertically in the mill vise and used an end mill to trim off the extra off of the rear flange. This makes the top edge parallel to the base.

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Then I clamped it sideways on a parallel and milled the two sides to bring it to the final width.

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Here's the bridge plate, milled to the final size. I rounded off the corners by hand on a belt sander, and smoothed and deburred the edges on the finishing wheel.

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The next step is to drill the holes in the milling machine, using the digital readouts, going to the positions on the drawing.

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That's about it for the base plate. The last step is some sanding and polishing to get it ready for plating.
 
The barrel saddles are made in the lathe and the mill. The difficult part is holding on to them during the operations. The solution is to machine them on the end of a piece of round bar stock, holding the bar stock while doing the machining operations. The last step is to cut the part free from the bar stock.

These saddles need to end up at 3/8" diameter, so I start off cutting two 4" long lengths of 1/2" dia round steel bar stock. I'll machine a saddle on each end of each piece. I used 12L14 steel, which is the free-machining mild steel.

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The two steel slugs go into my trusty Logan lathe, held in a standard 5C style collet with an internal stop. I face off the end surfaces and turn a section to 0.375" dia, on each end.

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Here are the slugs with the turned ends:

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Back in the Logan, I use a V tool bit to cut the center string groove and mark off the inboard end at the correct length.

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Here's the slugs with the saddles turned and grooved:

IMG_4896B.jpg
 
Next up on the saddles, I mount a spin index fixture in the vise in the milling machine. A spin index fixture holds a standard 5C collet, the same one used in the lathe. It rotates and quickly locks at different angles. This one is set up for 24 positions, every 15 degrees. The collet tightens and releases with a lever at the back. A very handy fixture to have when making small round parts. These operations can also be done using a collet block. That's a simple square steel block that holds the 5C collet. They work fine, but the spin index fixture is faster.

Here's the slug in the 5C collet, in the spin index fixture, in the vise in the mill. The first step is to mill the flat side of the saddle with an end mill, to the correct thickness. I do this operation on all four.

IMG_4897B.jpg


Next, the holes are drilled, using the spin index fixture. The two small holes for the 4-40 elevating setscrews are drilled perpendicular to the flat surface. The positions are set using the readout on the X-axis. Then the saddle is turned 90 degrees to drill the hole for the 6-32 intonation screw.

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Out of the collet, the holes are tapped by hand. If I were making a larger quantity of parts, I have a drill press set up with a power tapping head. In this case, it was quicker just to tap them by hand.

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While they are still attached to the handle, it's easier to deburr and polish the parts on the finishing wheel. If you aren't familiar with a finishing wheel, it looks like a grinding wheel, but it's really softer, like a roll of compressed Scotchbrite. A very handy tool in the metal shop for deburring and polishing metal parts. I use mine constantly.

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The saddle is cut free from the bar stock using a parting bit in the lathe. In this case, I'm doing the parting off operation in my larger LeBlond lathe, because it has more size and horsepower.

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The last step is to put the individual saddles back in a 3/8" collet in the Logan, to face off and trim the cut end. They are done!

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The parts went off to Van Nuys Plating for final polishing and chrome plating. Here they are back and assembled into the finished bridge. And off it went to JIO.

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In summary, it took a little over 4 hours of my labor to make this bridge. The chrome plating cost $110. Custom hardware isn't cheap!

In case you are wondering, yes, that's a 10 string bass bridge in the background. It's the prototype for the Marvin Octave 10-string model that Keith is building.
 
"hobby-level metalworking machinery?" Hmmm

Just kidding. Thanks for the pictures and the explanations. Amazing!


Really, lots of folks get into "home shop machining" with just a small workshop in the basement or a corner of the garage. A lathe, a mill, and a workbench. There are clubs, forums, and even a great little magazine called Home Shop Machinist. It's a popular hobby. They make all kinds of amazing things. It's even more amazing these days with the availability of inexpensive little benchtop CNC mills. That level of equipment is all you really need to make most musical instrument hardware.

My own machine shop is a little larger than that. My hobby is collecting and restoring antique machinery, like metalworking machines going back to 1900. I currently have 5 lathes, 8 mills, about 20 drill presses, and a bunch of oddball smaller machines like die filers, metal nibblers, tool & cutter grinders, etc. And only about 2/3 of them are currently operational! The machine shop portion of my shop is about 800 sq ft.

But again, my point is that, for any of you who are thinking of getting into metalworking, it doesn't take that much machinery. And it opens up a whole world of things that you can make.
 

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