buldog5151bass
Kibble, milkbones, and P Basses. And redheads.
Everything he has done since leaving VH shows the talent he has. Michael told him to play roots, so he did.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
And he's a heckofa nice guy too. My sister knew him well back in the day and I met him once at the retail store I managed in East El Lay. Tnose guys were doing arena quality shows in the backyards of the San Gabriel Valley every weekend.There were lots of bass players playing the LA club circuit back in the '70's that could have been in VH. Although he was a solid player, Mike's backing vocals really cemented the gig for him.
The only guy they thought of ditching when they got signed was Roth. Templeman say Anthony nailed everything asked of him.If you talk to Eddie, he says that MA sucked and that he had to teach MA all the bass parts and write them for him...lolol. Hard to believe if you ask me, lots of great bass players in LA at that time and if I know the record industry like I think I do, someone at WB or Ted Temp would of told EVH to ditch MA if he sucked...am I right??
If you talk to Eddie, he says that MA sucked and that he had to teach MA all the bass parts and write them for him...lolol. Hard to believe if you ask me, lots of great bass players in LA at that time and if I know the record industry like I think I do, someone at WB or Ted Temp would of told EVH to ditch MA if he sucked...am I right??

Watching Chickenfoot on TV the other day, I noticed four things:
1. Joe Satriani doesn't belong in a band. He's a solo artist that can't fit in with other guys.
2. Sammy Hagar's "Red Rocker" mic stand is ridiculous and unnecessary.
3. The band sucks over all. Weak songwriting (on Joe and Sammy's part), bland, generic arrangements, Joe's inability to blend in with a band, etc.
4. Michael Anthony can sing better than Hagar and play bass quite well at the same time!
He's a good bassist, but an even better vocalist in my opinion.
As long as we're still at it....
First, when I go back and listen to that old stuff (which now includes the Sam stuff) one thing that strikes me is that almost everything is super simple. Mike is obviously known for that (though far from a one-trick pony, there's certain songs he really got to rip!) and he takes the brunt of the insults. But nobody ever says "Alex Van Halen is a caveman drummer" even though the vast majority of his beats are "boom chak boom boom chak." He frigging slammed and his pocket was right on the money, you barely realize he's playing the "lesson #1" beat. Eddie too - he dazzled but he was not out to impress you every single second by fitting in as many notes as possible. Lots of his guitar lines feature long sustained stuff.
And I can picture, some VH stuff (I'm thinking the odd time or implied odd time stuff they did under guitar solos of certain songs) - and most especially because the brothers wrote most of the riffs (like for instance Alex is messing around, Eddie hears its a cool pattern with intricate hits, writes a guitar rhythm part TO the drums, instead of vice-verca). My point is, I can picture some of it being intricate enough that it was easier to record the riff for Mike so he can show up prepared and get it in his head. All hypothetical, but I can picture this being a circumstance where Eddie and his selective memory are using it to insult Mike, when actually bands have done this since forever.