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Nigel: ...the numbers all go to eleven. Look...right across the board.
Marty: Ahh...oh, I see....
Nigel: Eleven...eleven...eleven....
Marty: ...and most of these amps go up to ten....
Nigel: Exactly.
Marty: Does that mean it's...louder? Is it any louder?
Nigel: Well, it's one louder, isn't it? It's not ten. You see, most...most blokes, you know, will be playing at ten. You're on ten here...all the way up...all the way up....
Marty: Yeah....
Nigel: ...all the way up. You're on ten on your guitar...where can you go from there? Where?
Marty: I don't know....
Nigel: Nowhere. Exactly. What we do is if we need that extra push over the cliff...you know what we do?
Marty: Put it up to eleven.
Nigel: Eleven. Exactly. One louder.
Marty: Why don't you just make ten louder and make ten be the top number...and make that a little louder?
Nigel: ...these go to eleven.
There was that pink guitar or bass that shows up here from time to time, where the first octave has quartertonal frets.
+1 fretless bass. No need for bizarre fret placings with a fretless bass.
I would love a microtonal/just intonation acoustic guitar tuned to A major. But bass? Just go fretless.
Yeah, except you have no idea where the proper points are to apply pressure on the fretless fingerboard! What are you going to do, locate each note that you want by playing with a tuner next to you, mark it with a sticker, repeat until you have the entire microtonal scale marked out on your fingerboard, play it until you memorize the locations and sounds, then remove all the stickers?? Yeah, learning how to play microtonal bass on a fretless is a ridiculous endeavor, which is why you need an actual micrototal base, so if nothing else, you can learn the proper sounds and locations before going fretless... So many people say "Hey you want a microtonal bass, just go fretless," well it doesn't really work that way...