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Midge Ure gives props to Mark King and Mick Karn

Michedelic

MId-Century Modern
Jun 18, 2013
29,450
72,218
Yucca Valley/Joshua Tree
Went tonight to see former Ultravox frontman James 'Midge' Ure do a solo 'storytellers' gig, which meant he was taking questions from the audience between songs. It was kind of funny seeing him with just an acoustic guitar, as Ultravox was the epitome of futuristic synth pop in the early 80's. I was a big fan of the band back then, even the earlier incarnation with John Foxx; they prompted me to explore synth bass even though I had no keyboard training. But the old songs held up in the stripped down manner, as well as his incredible voice. When asked who were the best musicians he had ever worked with, his answer began and ended with two bass players, King and Karn. This is from a guy who collaborated with a who's who of British musicians in the 70's and 80's, not to mention that he created, along with Bob Geldolf(who always gets the credit)Live Aid, as well as being involved with the UK Prince's Trust charity performances. Pretty amazing. As he said, even though he reached a certain stature in the(British)music business, he still remained a fan of everyone he encountered.
 
I always loved Ultravox. Didn't know of Ure's other achievemnts though, except for his solo hits.
"Visions in Blue" still give me creeps every time I hear it. This song is a whole genre in itself.
Everyone has skeletons in their closet; his was a kind of pop boy band, Slik..

..but it was his ticket out of Scotland. He then joined Glen Matlock's post-Sex Pistols outfit, Rich Kids...

...and with their drummer, Steve New, got involved in an early synth-based project, Visage(which led to his joining Ultravox)...


Then his single with Mick Karn...

With Karn, Collins, and Townsend, tackling Scott Walker's version of "No Regrets"...

They also backed up Kate Bush at that event.
Nice work if you can get it.
 
I asked him about the stint with Thin Lizzy, and he told me it was a management deal, plus Phil was friendly with the Ex-Pistols camp; they needed a fill-in guitarist pronto while on tour, he was available, and learned the set(sort of)on the plane to the gig. He admitted the first show was a disaster for him, but it got better.
 
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Everyone has skeletons in their closet; his was a kind of pop boy band, Slik..

..but it was his ticket out of Scotland. He then joined Glen Matlock's post-Sex Pistols outfit, Rich Kids...

...and with their drummer, Steve New, got involved in an early synth-based project, Visage(which led to his joining Ultravox)...


Then his single with Mick Karn...

With Karn, Collins, and Townsend, tackling Scott Walker's version of "No Regrets"...

They also backed up Kate Bush at that event.
Nice work if you can get it.

Oh, Visage... When I was a DJ in early 80's, I used to entertain a crowd with their "Moon Over Moscow".

A sad story of their guitarist John McGeoch though. :(
 
Oh, Visage... When I was a DJ in early 80's, I used to entertain a crowd with their "Moon Over Moscow".

A sad story of their guitarist John McGeoch though. :(

Visage was more of a collective/new wave supergroup, based around singer Steve Strange. It was the beginnings of the "New Romantic" phase(Strange is seen in Bowie's "Ashes To Ashes" video). McGeoch had already served time in Howard Devoto's Magazine(his replacement, ironically, was Robin Simon, who had played guitar on Ultravox's Systems of Romance album), and went on to Siouxie and the Banshees and PIL before disappearing. His work on Juju was ethereally amazing, the epitome of early 80's dark wave guitar...

Ultravox keyboardist Billy Currie was also involved in Visage, as well as Gary Numan's "Cars", which is kind of messed up as Numan swiped so much from Ultravox in the first place, and took it to the bank. But I guess a gig's a gig.
 

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