Luckily, we bassists are the only ones remotely interested in the finer points of different aspects of our basses, so it's not a big deal really
In the normal run of things, I'd agree. The gear forum dumb bubba obsession with "my
tone" and suchlike makes me roll my eyes, too.
In the usual chaos of live playing, not much of this matters.
But...when you are doing DI bass recording in the studio (which since
Link Removed is all I can do now), you can't have a note simply roll over and
die. This has been a problem with Fender (and other) basses for about sixty years now.
You can process and EQ a good bass note into pretty much anything, but dead notes are really nasty to cope with. Contrary to a lot of yack here, you can't compress out of them as it only leaves you with an amplified dead note, "THUNK!!!"
I've heard some
really terrible recorded examples of this.
You have to control this at the source, the bass itself, by some method -- if only by playing around the holes. I'm inclined to place maximum value on a bass on which this problem is minimal.