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night.
Looks, baby...looks:
Black hardware & control cover. Pearl guard. (But I'm ordering a black one too, just in case.) No face dots on the fingerboard. Matching headstock. Finish? Saved the juice for last. Candy. Apple. Orange.
There we have it. If you've stayed with me thus far...thank you. I'll add updates as info becomes available. Captain Obvious checking in here, but...I'm excited! One final note of thanks to Ed @ Gelb and Paul @ Mike Lull Custom Guitars...my goal with this thread is to have a bit of fun with the process, and that certainly couldn't happen without their nod of approval.
Sounds great! CAO will be sweet...I considered getting that color for one of my upcoming basses.


Can't say for sure, but I don't think so...I've had my alder/rosewood M5V for over a year now, and I think things are still the same...The h/stock looks to be a little more sleek looking. Did Lull change his h/stock design a bit??
I certainly thought about it - and discussed it at length - but here's where the trust factor comes into play. Ed @ Gelb and Mike both know the sound I'm after - total ash/maple vibe, but versatile and with a still-mid-happy fingerstyle tone. Their feedback was that I'll be there with the 60's placement, and that the 70's placement, particularly with the 35" scale, would be way too much of an admittedly good thing.BTW,can't go wrong with the ash. IMHO,I'd go with the 70's pup spacing. To each his own,though.

.) My goal is for something just a little different, but still effective and, of course, valid. If the Barts don't make that happen, the bass will make a return visit for a set of Duncan SC's.