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"Moody" Ears?? Also, string changes...

Changing strings can help, but equally, waiting a few days until whatever factor is influencing things changes. Might be the humidity or the sign or phase the moon is in. Full moon high energy- maybe too high, new moon peaceful- maybe too peaceful and mentally critical (like it is today). It's also why I have multiple basses I've loved in the past, one will be what I want to hear, guaranteed.
 
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Isn't that the truth! One of the best paragraphs I've ever read here. Too many players want to sound like someone else and not themselves. You will sound like you no matter who you are trying to emulate! People don't have an idea! Chase "your" tone, be yourself.
 
Second, mellow out about "tone." I'm not SRV and neither are you. Over the years I've read many posts by guys driving themselves crazy seeking perfection in some "tone" (actually a rather vague useless and term) instead of just settling for sounding good. Set up, tweak the EQ and volume a bit as needed, and when it sounds OK, play the darn music. I am confident the audience won't know if you're only at 98% of the exact, precise sound you want. You will sound good.
/\/\ 99.9% of Talkbass needs to read and reflect upon this. Myself included.

It’s much easier to fix a “problem” by throwing money at it… If you want to work on your ‘tone’, take a bigger look at your SOUND: listen to your rhythmic feel, note placement, harmonic acuity, phrasing. Are you making the band sound good? Do great players want to play with you? That’s what we should all be focusing on.
 
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Can I hear myself?
Can the audience hear me?
Can I play softly?
Can I dig in and get some grit?
Do I need to cut some bass so it sits better in the mix?
As a working cover band bass player, I tend to focus on these questions at the gig, rather than aiming for some platonic ideal “tone”.
If I’m recording, or playing an “important” gig, that might be different, but I’ll most likely have personal monitoring and engineering help.
The parametric mids on my amp usually change from bass to bass, but not (usually) from room to room. Sometimes I have to start over and dial in mids at a gig, but that usually comes from switching between outdoor and indoor venues (or, of course, switching basses).
Mostly I dial in room sounds with just gain, master, and the shelving bass control on the amp. I often have to tweak as the night goes on because I want to play harder (material dependent), softer (fatigue), the room sound changes (fills with people or empties out), or the other players adjust volume. But I generally don’t start messing with the mids, I use the aforementioned three knobs.
Maybe if I was more fussy I’d get more, or better gigs, but I doubt it. Even though I carry some big firepower, it’s been a long time since anyone has told me to turn down.
 
If you want to work on your ‘tone’, take a bigger look at your SOUND: listen to your rhythmic feel, note placement, harmonic acuity, phrasing.
A friend of mine went to Berklee after high school. I had heard him many times at jam sessions and when he showed up one night three months into his first semester, his sound had changed for the better. Everything was more distinct and punchy with a deeper pocket even though he was still using the same bass and strings.
 
A friend of mine went to Berklee after high school. I had heard him many times at jam sessions and when he showed up one night three months into his first semester, his sound had changed for the better. Everything was more distinct and punchy with a deeper pocket even though he was still using the same bass and strings.

I can't resist...time to re-visit the classics...

Q: Where is the sound?
A: In the fingers.
 
Everyone is bringing up good points here. Someone mentioned going digital and never looking back. I remember tying out one of the first Line 6 bass combos way back when and was impressed by the sheer air moving bass qualities ( i think it had a 1x15') from the cab, had a whole lot of useful sounds and a few weird ones. What i thought it didn't have was a really convincing clean/flat sound. At the same time i sampled a 2x10 combo made by Eden, i can never remember the actual brand name, but wow that sucker sounded good. I now use a Roland XL120 combo, i find it checks both boxes for me.
 
I use Elixirs on all my basses, so my string tone is very consistent and long lasting. Normally never the reason the tone of a bass isn't happening. The one bass I have Infelds on sounds fine all the time too.

I also do not use and amp or cabinet. IEM's exclusively live, or various amp cabs I keep in my little project space for testing. But most of the time I am playing thru my mixer into powered monitors. So when a bass ain't happenin'...its the bass. The body wood, the electrics, something specifically within the instrument, because all the other variables don't exist in this setup.

I was just now auditioning the instruments I have on the wall next to me. I'm currently selling three. But only one, because i can't get the sound out of it that I'd hoped for . Its just not in that piece of wood. At least the sound I prefer, but one mans trash is another's treasure. So it'll go to the next guy. The others are being sold to supply an affordable instrument to a local kid, or to recoup a large investment.

But I've rarely had the wrong strings be the solution to crap tone.

Also, if it takes a specific pedal or amp to make an instrument sound appealing, that's a serious weak point for that instrument.

But I'm with pilgrim in that, it really does start in your fingers. And if your fingers are doing what they should to sound good, and it still doesn't....well....babye to that bass.

One thing I did was swap a 5 string from a Low B to a High C config......and guess what? ...bass still not happenin'....shocker.
 
With all factors unchanged, including room acoustics, temps, humidity, atmos pressure or whatever, it happens in my practice area at home sometimes. Don't know about anyone else or why it happens, but it's definitely moody ears for me. Something different going on between my ears and brain on those days?

I think it relates to the question..."Have you ever plugged in a bass you haven't touched for a long time, because it sounded kinda "off" last time you played it? But now it sounds terrific"?