As the title suggests, which bassist do you find to have interesting phrasing, technique, sound, etc. that really makes them stick out to you. Any and all genres are accepted, and please don't turn this into a flame war. My personal list is: Jaco (obviously) Dan Briggs - BTBAM Mark Sandman - Morphine Justin Chancellor - Tool Scott LaFaro - Bill Evans Trio Tal Wilkenfield Pino Palladino Joe Lester - Intronaut Dominic Lapointe - Beyond Creation, Augury Steve Digiorgio
Frank Zappa gave Scott Thunes carte blanche on the 1984 and (especially) 1988 tours, and Scott's playing, especially while Frank was soloing, is just about the most interesting bass playing i've ever heard. I still catch new details in recordings i've listened to 100 times.
For 1984, i listen to the "Guitar" album, and some live boots i from that tour. For 1988, "The Best Band You Never Heard In Your Life" is the one i listen to the most. I really need to give "Make A Jazz Noise Here" another shot- i didn't listen to it that much when it first came out. Also, the guitar solos on "Trance Fusion" have some SPECTACULAR accompaniment from Scott.
Awesome man. Have listened to trance fusion many times.. Great bass from Scott...Can't wait to hear those others
If you haven't seen it, check out the video "Does Humor Belong In Music?" to see Scott in action with the 1984 band.
Keith Ferguson Bob Babbitt Tommy Cogbill Jerry Jemmott Billy Cox and, of course, Mr Donald Duck Dunn All of them are experts at creating very memorable basslines (in simple 3 chord songs) that drive a song forward without unnecessary complexities, they are all particularly adept at avoiding the habit of adding 1/16th note syncopation just for the sake of adding 1/16th note syncopation. ( a little of that goes a long way, a lot of it sounds like poo - nothing worse than guys who can't play a walking bass part without stuttering rhythms every other quarter note.) Listen to Paul Chambers on any late 50's Blue Note recording - he had more chops than any R&B player yet when it was time to walk, he walked - he didn't skip, dance, prance and otherwise draw attention to himself.
He's got most of it down, weird to me that he's missing the artificial harmonic part of the main phrase.