I have the Boss GT core 1000 and find it fantastic. You'd be very hard pressed to run out of effects in it.
My core sound is input HPF, Frequency Divider (low frequency stays clean, with high frequency going through the effects chain), compression, Amp modelling, Noise Gate, Output HPF/LPF, Cab Sim and Mastering Compression. You then have drive, pitch, modulation and time effects with up to 3 signal splitter/dividers for parallel paths. So the complex signal path you can create, is for me, one of the biggest advantages of a digital multi like this. There are 3 built in foot switches, and you can add 4 more switches or expression, midi switching and amp control. Pretty amazing for such a small pedal.
The only thing it lacks is a DI output, so if you want to connect directly to a PA, you'll likely be mounting on a pedalboard with a DI box/pedal. You can get very small passive DI now (for example I have a Switchcraft 314DI that conveniently fits underneath my Warwick Rockboard ).
My core sound is input HPF, Frequency Divider (low frequency stays clean, with high frequency going through the effects chain), compression, Amp modelling, Noise Gate, Output HPF/LPF, Cab Sim and Mastering Compression. You then have drive, pitch, modulation and time effects with up to 3 signal splitter/dividers for parallel paths. So the complex signal path you can create, is for me, one of the biggest advantages of a digital multi like this. There are 3 built in foot switches, and you can add 4 more switches or expression, midi switching and amp control. Pretty amazing for such a small pedal.
The only thing it lacks is a DI output, so if you want to connect directly to a PA, you'll likely be mounting on a pedalboard with a DI box/pedal. You can get very small passive DI now (for example I have a Switchcraft 314DI that conveniently fits underneath my Warwick Rockboard ).