Reading over the thread regards KISS' induction into the RRHOF, I got to thinking...
When does a musician cross the line into artist territory?
What is the criteria for rising from just another instrument beater to the higher plane of artistry?
Strictly a personal opinion, but I think it is at the point one goes from being a musical imitator to a musical innovator. The bone in the throat of this opinion is obviously, who makes that call?
When does a musician cross the line into artist territory?
What is the criteria for rising from just another instrument beater to the higher plane of artistry?
Strictly a personal opinion, but I think it is at the point one goes from being a musical imitator to a musical innovator. The bone in the throat of this opinion is obviously, who makes that call?