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I would expect this to normally be the music director's call, after all the MD has made the choice to hire one player for two books. If the MD is deferring the decisions to you, then you get to choose which sound is right for each tune and when it's practical to switch. It becomes a test of your musical sense, and you can work it out in rehearsal if MD has other ideas.
When I've worked in puts with too few players for the book (um, every time?), part of the fun has been integrating parts -- cello, bass clarinet, bone, tuba, bari sax, whatever -- to deliver essential bits that would go missing if I only played the bass book.
I guess I wasn't clear - there are two separate books. I need to make a preliminary decision which will be a tuba and which a double bass.
D