Dude! The cream pickup covers look awesome with that combo! Why didn't I think of that!?!?!
As for the bridge-- that looks like a Bad@ss III-- why on earth would you replace that with a basic stamped one? I mean, there's nothing wrong with that, as my current P-bass, a late-80's Korean Cort-made P-clone, has a stamped bridge & it works just fine, but part of the reason I zeroed-in on the LB-100 was the beefy G&L saddle-lock bridge.
Regardless, that is, indeed a mighty fine-looking P-bass! Looks like Daphne Blue, if I'm not mistaken?
How do you like the response of the DiMarzio Model P? I ask because that pickup is on my "short list" for a parts-bass build I've been mulling-over for a while...
Thanks!
It's not a BA3. It's a no-name that came with the body. Honestly? There's a little subtle "something" about that stamped bridge. I can't really put my finger on it. It just sounds a tad bit more old school with a stamped bridge to my ears.
The DiMarzio is a versatile pickup. Turn the tone mostly all the way down and you get the classic P sound. But let that tone knob ear and that thing gets a mid growl that can be pretty aggressive (in a good way). Mind the pole pieces. If your string touches one it'll sound like a small-caliber rifle going off in your bass rig. I have mine adjusted accordingly so it's not an issue.
Overall it's a great bass and has been a fun project. All of the parts, except for the Emerson wiring harness, came from fellow TBers.