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I've been entering a very low value for the port tuning (e.g., 1 Hz) and ignoring the port air speed graph. Next time I crack it open, I'll add explicit support for sealed designs, just to make sure there are no numerical gotchas.Love it.
Question, in your modling software, how would you tackle a sealed cab?
Great program, Francis! Thank you for making it freely available!
Without divulging any secrets, can you give us a ballpark idea of how you derive the waveform-based excursion? I presume you reduce the excursion requirements based on estimated distribution of the total energy across the harmonic sequence, and I also presume that the devil be in the details.
Whatever WinISD says I can do with sinewaves, I default to being able to do double that with a bass string when it comes to power input.
I'm happy to divulge! In fact, it's open source. If you do Ctrl-U in Google Chrome, my source code will display.Great program, Francis! Thank you for making it freely available!
Without divulging any secrets, can you give us a ballpark idea of how you derive the waveform-based excursion? I presume you reduce the excursion requirements based on estimated distribution of the total energy across the harmonic sequence, and I also presume that the devil be in the details.
Uh-oh.However, number of ports does not seem to affect the calculated length, and presumably should, as 2 ports are twice as large as one port, and one port twice as large gets a longer length. Or the length and width are considered totals, not per port (but in that case number of ports would not matter...)
I'm happy to divulge! In fact, it's open source. If you do Ctrl-U in Google Chrome, my source code will display.
Long ago, I looked at the output of my bass on a scope, and found that I could replicate the waveform pretty well as a sum of the first few harmonics, equally weighted. So, it's the harmonic structure of the open A string of my passive Ibanez.Not very scientific, but I felt it was probably sufficiently representative of an electric bass when run through an amp without too much bass boost. I could add some settings so you could change the weighting factors, for instance to use the fundamental plus first overtone as you mention. I tried more elaborate algorithms, and they didn't change things very much.
Thanks! That's basically what I observed. I was able to influence the relative strength of the harmonics somewhat by plucking in different ways, playing different strings, etc. But the changes weren't massive. What I decided to do was leave it as an un-weighted sum of the first four harmonics (in the JavaScipt program), no correction for phase. I also played with a number of "better" models (summing the waveforms instead of the amplitudes, etc.) that didn't have much of a practical impact on the graphs, so I figured it was good enough for practical use.Invalid Link Removed shows a graph (Figure 3) and a chart that lists the relative outputs of the harmonics of an open E from a Precision.
When I run it on my hard drive, my directory looks like this:Francis, thank you. Great effort from you and great fun for me to play with !
However, I cant't seem to get it to display the graphs when executed from my hard drive.
Is my directory structure correct?
... :\Privat\DIY Box\flot\speakerjs\speaker.html
... :\Privat\DIY Box\flot\speakerjs\speaker-Dateien containing jquery.js and jquery_002.js
