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Here is a pic with the PJB C4
There's really a lot of magic in the BH tone circuit. I think they did a good job with the EQ. A little bit goes such a long way in either direction, but the tone is just fantastic with everything straight down the middle. I think the tone goes right down the middle between vintage and modern and I'd be happy with the BH tone in any band I could ever see myself playing in. I feel like the amp is neutral and transparent, but in all the right ways.Tone: paired with the PJB C4 the tone is massive. It lacks no bottom or treble with the eq at 0. I thought the C4 sounded a little mid forward but I realized it was the Eden WT264 that a bass brother handed to me until I buy an amp. It´s pretty hi-fi and clean but organic at the same time wich I really like.
And most importantly, the colors match.

There's really a lot of magic in the BH tone circuit. I think they did a good job with the EQ. A little bit goes such a long way in either direction, but the tone is just fantastic with everything straight down the middle. I think the tone goes right down the middle between vintage and modern and I'd be happy with the BH tone in any band I could ever see myself playing in. I feel like the amp is neutral and transparent, but in all the right ways.
At band volume, you'll find that the TubeDrive gives you just a little bit of something that helps your tone sit better in the mix. I use "The Grind" patch and dial in just a little bit. You can get a less extreme setting for the Tone Print and dial it more of it, but I like it the other way more. Perhaps it doesn't hold up next to expensive comps and drives under close listening in isolation, but with other instruments going on, you'll appreciate what it does.
You should invest in the foot switch for it. I think it's about $35 bucks. You can switch tonerprints on the fly and/or use it as a mute button. I think its called the Helicon.