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NAD: TX300

After a lot of hesitation, I sprung for a Hartke TX300 I found locally on CL for $200. I'd read a lot about it not having a lot of power, but, since I always have PA support, figured it would be enough to drive my 8 ohm Avatar SB112 stage monitor. I was right. Played it two nights in a row at a good-sized open-air Florida Tiki bar with a ten-piece oldies/horn band. The thing is very loud. I was never wanting for power at any time. I'm accustomed to the tone-stack system from my old LH500, and I set the tone controls all on 3:00 o'clock, gain on 4, and master at about the same. I didn't use compression, but turned the shape dial up to abut 11:00. Very strong lows, and an output similar to my Peavey Minimax. Cleaner than the Minimax, better mids, and round but clear, almost bell-like highs. Played a Yamaha TRBX504 all night, switching to an Epiphone Viola in the third set (hey, I'm old!); the Viola sounded very throaty and deep. I engaged the pad on the Radial Pro DI, as our last set is quieter, and I have to say I was impressed. Time will tell, but the first time out was everything I could have asked for. Hopefully, this review will rove useful to others with similar needs.
 
After a lot of hesitation, I sprung for a Hartke TX300 I found locally on CL for $200. I'd read a lot about it not having a lot of power, but, since I always have PA support, figured it would be enough to drive my 8 ohm Avatar SB112 stage monitor. I was right. Played it two nights in a row at a good-sized open-air Florida Tiki bar with a ten-piece oldies/horn band. The thing is very loud. I was never wanting for power at any time. I'm accustomed to the tone-stack system from my old LH500, and I set the tone controls all on 3:00 o'clock, gain on 4, and master at about the same. I didn't use compression, but turned the shape dial up to abut 11:00. Very strong lows, and an output similar to my Peavey Minimax. Cleaner than the Minimax, better mids, and round but clear, almost bell-like highs. Played a Yamaha TRBX504 all night, switching to an Epiphone Viola in the third set (hey, I'm old!); the Viola sounded very throaty and deep. I engaged the pad on the Radial Pro DI, as our last set is quieter, and I have to say I was impressed. Time will tell, but the first time out was everything I could have asked for. Hopefully, this review will rove useful to others with similar needs.
Congrats on the new rig. Where did/do you play? I’m in Englewood.
 
Yeah, I thought it might be the Sandbar you were referring to. What’s your band’s name? Would love to come see you next time you’re there or at the Twisted Fork.
 
Played it out a second night, using the onboard DI. No complaints from the sound man (rare!). I am not crazy about the drive function, as I usually play clean--as in no pedals; not sure what the Shape really does, but putting it at noon really opened up the bass, albeit at some sacrifice of the highs. Compensated with midrange and treble controls nearly all the way to the right and putting bass back at 1:00 PM. Played a 35 year old MIJ P bass and it sounded great. Plenty of headroom with gain at 11:00 and master at about 9:00 all night. Using the 8 ohm Avatar SB112 again. Feels like a good match.
 
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