Was recently in a local shop and saw this bad boy hanging on the wall. 1995 Ibanez ATK300 MIK, no it's not the MIJ version, but it still feels and sounds great! I had a hollow body electric guitar I never play laying around so I did a trade deal with them for it. Excited to put it to use in the home studio and potentially at some gigs. I've got some reservations about gigging with it due to the weight, but it's built like a tank so it would handle the wear and tear of gigging pretty well!
Anyone else have one of these? What's your favorite and least favorite thing about it? Thinking about getting a hipshot drop tuner for it or maybe even stringing it up in BEAD tuning, as I've heard these are fun for metal / hard rock.
Yours even still has the thingy around the knobs!

You scored BIG with this one.
@gregmon79 and I will always make our appearances shortly after any ATK makes an appearance around here. Hey, man
Fortunately for me, I acquired my first ATK (a 305 which I still play regularly) when they had just come out. I had convinced my teenage self that appearances didn’t matter at all, man, so I didn’t let my initial ambivalence toward the look bother me, and it certainly grew on me quickly. I can think of a number of
subjective reasons a player wouldn’t take to an ATK, but
objectively speaking:
•They’re frequently heavy, and never light.
•The single-pickup models don’t have any great place to anchor one’s thumb on the plucking hand. I make do with the side of the pickup and have gotten used to it over time, but still.
•They’re active-only.
@Drzejzi added an active/passive switch to an ATK and can speak to that better than I can, but as I understand it, that pickup sounds fairly mellow without that preamp.
If a player can live with those three things and it suits their subjective requirements, they really should take an ATK for a spin. Once again, I will paraphrase
@Dr. Cheese ‘s perfect assessment of the ATK: not a Stingray
clone, but a Stingray
alternative.