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NBD - Darkray in Sparkly Orange Metal Flake

BQFS

Supporting Member
Feb 28, 2013
1,127
1,922
77
Eugene Oregon
To begin with I am a long time Stingray player. For over 20 years, my third (and only bass at the time) was a '79 Stingray. Fast forward about 30-odd years, and that bass just became too heavy for me to play (5 back surgeries since 2013). Through a few trades, I was able to parlay the '79 for a 2020 BFR Stingray Special fretless 5 string. I loved everything about it except the tone. Plus it only weighed 7.4 pounds, over two pounds lighter than the '79! What I expected (foolishly I suppose) was a 5 string version of my '79. I just didn't care for the sound of the neo pickup or the 3-band EQ.

I found out why. After I removed the pickup and preamp, I sent the preamp to a friend who did an RTA (real time analysis) on it and found the reasons I didn't like it - there was WAY too much interaction between the 3 bands to the point they were stealing gain from each other. If that was not bad enough, the treble sounded harsh and strident to me.

For years, I have been upgrading Sterling Ray4s and 5s with a pickup wound to late 70s specs, and a clone of the original late 70s preamp. So, I asked Nordstrand to make me a special pickup to fit (as the 2020 had no pickguard) and paired it with a late 70s preamp (I make and sell them as well, but that's not the point of this post). NOW, I had the sound I was hoping to have.

I have been a huge fan of the Darkglass Tone Capsule for a long time. I tend to use it in upgrades of single pickup basses other than Stingray-style ones. For that reason, the Darkray interested me a lot, not so much for the built-in effects, but because of their work matching a custom 2-band preamp to the characteristics of the Stingray Special's Neo pickup.

So, regarding the DarkRay 5 string: First, the pairing of the Neo pickup (no doubt the same one in the Stingray Special) with the Darkglass preamp creates a much different tone than the stock Special, and much better range of tones in my opinion. In this case, I was NOT looking for a duplicate of what I already had with the fretless BFR, so my expectations were that it would sound good, but different to the Special, and I got what I wanted.

What I wanted was a bass that sounded great, did not require any mods to sound great, and a bass that sounded different to the fretless Stingray I already owned. Most (probably 95% of the time) I will never use the distortion or fuzz, those to me are just an extra plus. It's a great bass with great tone, and I got the color I wanted, a weight I could handle (my rep at Sweetwater cherry-picked one and got me one that only weighed a bit over 8 pounds, also very light for a 5 string) and interest free financing with up to four years to pay off. To me, that was just too good to pass up.

I love the range of tones I can get using just the two-band EQ and see no reason to modify the bass in any way, other than to install a set of Straploks.

This is one fantastic bass. If you look at it as a tone monster with a great neo pickup/preamp combination with a couple of special effects thrown in, that's probably the best way to consider it. To each their own, that's for sure. Here's a couple of pictures.

20250826_124710.jpg
20250826_124736.jpg
20250826_124747.jpg
 
To begin with I am a long time Stingray player. For over 20 years, my third (and only bass at the time) was a '79 Stingray. Fast forward about 30-odd years, and that bass just became too heavy for me to play (5 back surgeries since 2013). Through a few trades, I was able to parlay the '79 for a 2020 BFR Stingray Special fretless 5 string. I loved everything about it except the tone. Plus it only weighed 7.4 pounds, over two pounds lighter than the '79! What I expected (foolishly I suppose) was a 5 string version of my '79. I just didn't care for the sound of the neo pickup or the 3-band EQ.

I found out why. After I removed the pickup and preamp, I sent the preamp to a friend who did an RTA (real time analysis) on it and found the reasons I didn't like it - there was WAY too much interaction between the 3 bands to the point they were stealing gain from each other. If that was not bad enough, the treble sounded harsh and strident to me.

For years, I have been upgrading Sterling Ray4s and 5s with a pickup wound to late 70s specs, and a clone of the original late 70s preamp. So, I asked Nordstrand to make me a special pickup to fit (as the 2020 had no pickguard) and paired it with a late 70s preamp (I make and sell them as well, but that's not the point of this post). NOW, I had the sound I was hoping to have.

I have been a huge fan of the Darkglass Tone Capsule for a long time. I tend to use it in upgrades of single pickup basses other than Stingray-style ones. For that reason, the Darkray interested me a lot, not so much for the built-in effects, but because of their work matching a custom 2-band preamp to the characteristics of the Stingray Special's Neo pickup.

So, regarding the DarkRay 5 string: First, the pairing of the Neo pickup (no doubt the same one in the Stingray Special) with the Darkglass preamp creates a much different tone than the stock Special, and much better range of tones in my opinion. In this case, I was NOT looking for a duplicate of what I already had with the fretless BFR, so my expectations were that it would sound good, but different to the Special, and I got what I wanted.

What I wanted was a bass that sounded great, did not require any mods to sound great, and a bass that sounded different to the fretless Stingray I already owned. Most (probably 95% of the time) I will never use the distortion or fuzz, those to me are just an extra plus. It's a great bass with great tone, and I got the color I wanted, a weight I could handle (my rep at Sweetwater cherry-picked one and got me one that only weighed a bit over 8 pounds, also very light for a 5 string) and interest free financing with up to four years to pay off. To me, that was just too good to pass up.

I love the range of tones I can get using just the two-band EQ and see no reason to modify the bass in any way, other than to install a set of Straploks.

This is one fantastic bass. If you look at it as a tone monster with a great neo pickup/preamp combination with a couple of special effects thrown in, that's probably the best way to consider it. To each their own, that's for sure. Here's a couple of pictures.

View attachment 7308536View attachment 7308537View attachment 7308538
SPARKLES 💖 ✨🎉🥳🪩!!!!
 
The pics just don't do it justice. Depending upon the angle of the light, and what light is shining on it, and the camera angle as well, it varies from orange to gold and even green (believe it or not)! It's def. a unique looking instrument which is exactly what I wanted. Unique looks go great with unique tone. As I mentioned, I have been a Stingray guy forever. I currently have two fivers. I've also worked on a bunch of Sterlings such as the new Ray2 (upgraded the pickup, added an active 2-band preamp), a bunch of Ray4s and 5s (defretting them, upgrading the pickup and preamp), and two Ray34s (defretting them). All the Sterlings were different to begin with, but when I got done, every single one of them sounded like my old '79 Ray. This one is its own animal with absolutely no mods in its future. So the unique look absolutely complements the unique tone. I couldn't be happier if I tried.
 
I'd love to try one, enjoy that beauty!
I never would have been able to buy one were it not for my rep at Sweetwater. Not only did he give me a discount, but he also went and cherry-picked a light one because I've had too many back surgeries to lift a heavy bass anymore. Finally, Sweetwater offered unbeatable interest free financing for 4 years. It worked out to just $84/month. I'd probably piss away that much each month and not even know where it went, so in this case it's painless to pay it off and there's no incentive for me to pay it off early because Synchrony Bank just dropped its 2% charge for incentive financing. There's no way I could pay cash up front for it, that's for sure.
 
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To begin with I am a long time Stingray player. For over 20 years, my third (and only bass at the time) was a '79 Stingray. Fast forward about 30-odd years, and that bass just became too heavy for me to play (5 back surgeries since 2013). Through a few trades, I was able to parlay the '79 for a 2020 BFR Stingray Special fretless 5 string. I loved everything about it except the tone. Plus it only weighed 7.4 pounds, over two pounds lighter than the '79! What I expected (foolishly I suppose) was a 5 string version of my '79. I just didn't care for the sound of the neo pickup or the 3-band EQ.

I found out why. After I removed the pickup and preamp, I sent the preamp to a friend who did an RTA (real time analysis) on it and found the reasons I didn't like it - there was WAY too much interaction between the 3 bands to the point they were stealing gain from each other. If that was not bad enough, the treble sounded harsh and strident to me.

For years, I have been upgrading Sterling Ray4s and 5s with a pickup wound to late 70s specs, and a clone of the original late 70s preamp. So, I asked Nordstrand to make me a special pickup to fit (as the 2020 had no pickguard) and paired it with a late 70s preamp (I make and sell them as well, but that's not the point of this post). NOW, I had the sound I was hoping to have.

I have been a huge fan of the Darkglass Tone Capsule for a long time. I tend to use it in upgrades of single pickup basses other than Stingray-style ones. For that reason, the Darkray interested me a lot, not so much for the built-in effects, but because of their work matching a custom 2-band preamp to the characteristics of the Stingray Special's Neo pickup.

So, regarding the DarkRay 5 string: First, the pairing of the Neo pickup (no doubt the same one in the Stingray Special) with the Darkglass preamp creates a much different tone than the stock Special, and much better range of tones in my opinion. In this case, I was NOT looking for a duplicate of what I already had with the fretless BFR, so my expectations were that it would sound good, but different to the Special, and I got what I wanted.

What I wanted was a bass that sounded great, did not require any mods to sound great, and a bass that sounded different to the fretless Stingray I already owned. Most (probably 95% of the time) I will never use the distortion or fuzz, those to me are just an extra plus. It's a great bass with great tone, and I got the color I wanted, a weight I could handle (my rep at Sweetwater cherry-picked one and got me one that only weighed a bit over 8 pounds, also very light for a 5 string) and interest free financing with up to four years to pay off. To me, that was just too good to pass up.

I love the range of tones I can get using just the two-band EQ and see no reason to modify the bass in any way, other than to install a set of Straploks.

This is one fantastic bass. If you look at it as a tone monster with a great neo pickup/preamp combination with a couple of special effects thrown in, that's probably the best way to consider it. To each their own, that's for sure. Here's a couple of pictures.

View attachment 7308536View attachment 7308537View attachment 7308538
Goregous bass!! I have been kicking the can about this or a special. Since you have a history with the instrument and companies could you elaborate on how you feel about the DarkGlass Preamp? My concern was I want to be able to play "deep, smooth, rounded" tones as well with drives.

Would you say that is possible on the DarkRay or would I be better off with a Special? I keep trying them out and can't choose. LOL

Once again, beautiful bass!!! I'm glad they could get a lighter one for ya!
 
Goregous bass!! I have been kicking the can about this or a special. Since you have a history with the instrument and companies could you elaborate on how you feel about the DarkGlass Preamp? My concern was I want to be able to play "deep, smooth, rounded" tones as well with drives.

Would you say that is possible on the DarkRay or would I be better off with a Special? I keep trying them out and can't choose. LOL

Once again, beautiful bass!!! I'm glad they could get a lighter one for ya!
Believe me, no one wants to answer your question more than I do, but I have only had the bass for a day, and have only had time to tune it and play it very briefly. Unfortunately, my wife has Alzheimer's disease and these days she sleeps a lot. If I play the bass at anything like normal volume it wakes her up, and of course it's not worth it. I am between bands, as I am recovering from hip replacement, so I can't even tape it for you at rehearsal. Sigh.

Tone is SO subjective. Another Darkray player really raved about the preamp, and feels like I do, it's a Stingray Special with a 2-band EQ with a couple of onboard effects which we might use once in a while.

Darkglass as a company seems geared toward metal, which I am not at all, but I used to upgrade basses and used their unique Tone Capsule preamp frequently. Totally quiet and clean with great choices for center frequencies (and no treble control at all - just bass, lo-mid, and hi-mid). I never missed the treble control.

The minute I turned it on and tried it, I knew they got it right (okay, right for me). My fretless came to me with the standard Special electronics and it was awful. That 3-band EQ is an atrocity. Anyway, to tame it required a new pickup and a new preamp.

With the Darkray, it sounded great to me within the first minute of just randomly playing across and up the neck and playing with the EQ. It definitely sounds a LOT different to my fretless which is what I wanted. And Darkglass did a great job of analyzing the Neo pickup characteristics and matching their 2-band to bring out the best. Keep in mind that the original Stingray only had a two-band preamp and people still think that preamp (over 60 years old) still sounds great. (Not to advertise, but I'm one of the people that makes and sells those commercially - over 80 sold so far.)

Anyway, even with my brief exposure, I still think they hit it out of the park. If you do end up opting for the regular Special, be ready for some potential grief from that 3-band EQ.

Hope that helps!
I've used
 
Believe me, no one wants to answer your question more than I do, but I have only had the bass for a day, and have only had time to tune it and play it very briefly. Unfortunately, my wife has Alzheimer's disease and these days she sleeps a lot. If I play the bass at anything like normal volume it wakes her up, and of course it's not worth it. I am between bands, as I am recovering from hip replacement, so I can't even tape it for you at rehearsal. Sigh.

Tone is SO subjective. Another Darkray player really raved about the preamp, and feels like I do, it's a Stingray Special with a 2-band EQ with a couple of onboard effects which we might use once in a while.

Darkglass as a company seems geared toward metal, which I am not at all, but I used to upgrade basses and used their unique Tone Capsule preamp frequently. Totally quiet and clean with great choices for center frequencies (and no treble control at all - just bass, lo-mid, and hi-mid). I never missed the treble control.

The minute I turned it on and tried it, I knew they got it right (okay, right for me). My fretless came to me with the standard Special electronics and it was awful. That 3-band EQ is an atrocity. Anyway, to tame it required a new pickup and a new preamp.

With the Darkray, it sounded great to me within the first minute of just randomly playing across and up the neck and playing with the EQ. It definitely sounds a LOT different to my fretless which is what I wanted. And Darkglass did a great job of analyzing the Neo pickup characteristics and matching their 2-band to bring out the best. Keep in mind that the original Stingray only had a two-band preamp and people still think that preamp (over 60 years old) still sounds great. (Not to advertise, but I'm one of the people that makes and sells those commercially - over 80 sold so far.)

Anyway, even with my brief exposure, I still think they hit it out of the park. If you do end up opting for the regular Special, be ready for some potential grief from that 3-band EQ.

Hope that helps!
I've used
Wow, thank you so much for the in-depth and thoughtful reply. I have been wracking my head for months about it and I actually did try a DR4 in the store and I can vouch that the preamp cleans were very interesting, didn't have enough time but as you mentioned I thought "oh well the old Stingrays had 2-band EQ so this can't be that far from the mark". I also like Darkglass' tones they baked in, a tiny bit of gain can give you a tube-like overdrive-fuzz-distortion.

Alas your posts, feedback are incredibly informative, from the analysis of the SR Preamp-Pickup-EQ, guessing the RTA was on a StingRay Special? If so that and your comment really make sense, I found the H-H Special SR to be a bit clanky, janky, and just unpleasant at times, my work around was to boost bass and keep it all off, or roll in some mids, boost treble. I'm very sensitive and picky for tone, well I mean I like need my deep bass and I'm happy.

(As for how it sounds since you are in a situation where you might not crank it or amp it, its great for a light distortion I was playing through an amp and got right into Precision, instant Sabbath territory, turned up the gain and in Doom/Stoner Metal territory, I think I prefer the drive circuit to be honest.) Similar to you I just really like the tone and color of these, lol both variants are amazing. I'm getting back to playing after a break so I wanted to treat myself.

Awesome information, feel free to add anything as I'm an absolute geek, engineering student so I appreciate the deep dive info you had on the Preamp, the circuits distortion across the 3-bands is a huge red flag, again that explains why the H-H sounded just so.. off to me, I know folks like them. I just found it very anemic unless the EQ was flat with bass boost. I think you'll like being able to roll some gain/overdrive into your signal it blends with the bass tone so you get a very smooth tone even if using for a very light grit.

Welp, I think you nearly convinced me to go with the DarkRay 5, I just worry about the damn G string slipping off, but to be honest! I will be using the deeper strings more, so I don't think it should be an issue. The EQ definitely intrigues me, and I appreciate hearing your endorsement of the DarkGlass preamp. They are a company I did not know much about they seem to be on top of the market and sound after reading a bit.

Anyway your reply resonated with me, a parent who I caretake for has Alzheimer's, its a terrible condition much luck for your loved one. Wishing you the best. Please take care and have a good night-day!!

...or keep the bass chat rollin! :cool:

Congrats again on the new piece I think gold is killer especially with the maple board, you nailed it!
 
Wow, thank you so much for the in-depth and thoughtful reply. I have been wracking my head for months about it and I actually did try a DR4 in the store and I can vouch that the preamp cleans were very interesting, didn't have enough time but as you mentioned I thought "oh well the old Stingrays had 2-band EQ so this can't be that far from the mark". I also like Darkglass' tones they baked in, a tiny bit of gain can give you a tube-like overdrive-fuzz-distortion.

Alas your posts, feedback are incredibly informative, from the analysis of the SR Preamp-Pickup-EQ, guessing the RTA was on a StingRay Special? If so that and your comment really make sense, I found the H-H Special SR to be a bit clanky, janky, and just unpleasant at times, my work around was to boost bass and keep it all off, or roll in some mids, boost treble. I'm very sensitive and picky for tone, well I mean I like need my deep bass and I'm happy.

(As for how it sounds since you are in a situation where you might not crank it or amp it, its great for a light distortion I was playing through an amp and got right into Precision, instant Sabbath territory, turned up the gain and in Doom/Stoner Metal territory, I think I prefer the drive circuit to be honest.) Similar to you I just really like the tone and color of these, lol both variants are amazing. I'm getting back to playing after a break so I wanted to treat myself.

Awesome information, feel free to add anything as I'm an absolute geek, engineering student so I appreciate the deep dive info you had on the Preamp, the circuits distortion across the 3-bands is a huge red flag, again that explains why the H-H sounded just so.. off to me, I know folks like them. I just found it very anemic unless the EQ was flat with bass boost. I think you'll like being able to roll some gain/overdrive into your signal it blends with the bass tone so you get a very smooth tone even if using for a very light grit.

Welp, I think you nearly convinced me to go with the DarkRay 5, I just worry about the damn G string slipping off, but to be honest! I will be using the deeper strings more, so I don't think it should be an issue. The EQ definitely intrigues me, and I appreciate hearing your endorsement of the DarkGlass preamp. They are a company I did not know much about they seem to be on top of the market and sound after reading a bit.

Anyway your reply resonated with me, a parent who I caretake for has Alzheimer's, its a terrible condition much luck for your loved one. Wishing you the best. Please take care and have a good night-day!!

...or keep the bass chat rollin! :cool:

Congrats again on the new piece I think gold is killer especially with the maple board, you nailed it!
I wouldn't worry about the G string issue. There's a LOT of talk about this, but I have been playing my fretless which has the exact same neck dimensions as all the other Specials, and never had a problem. Like most things, this is more a matter of your technique than it is a matter of neck width.

People tend to gloss over the importance of proper playing technique, but that's a mistake. During my first and only formal bass lesson, a good friend of mine at the time who was classically trained on the double bass and also played a Fender JB in the Cal Poly Jazz Band taught me a couple of things, since reinforced by articles and interviews I have read.

First, keep your thumb centered in the back of the neck, opposite, if you can, your second finger but at least opposite your index finger. That will help keep your fingers at a right angle (90 degrees or perpendicular) to the fretboard. Then, because my hands are smaller than average, he suggested I use the upright technique of pairing my pinkie and ring fingers. I have played like that for over 40 years, and never had a problem with speed, accuracy (especially when playing fretless), or accidentally pushing a string off the board. When your fingers come down on the strings at a right angle, there's no pressure to push the G off, so try to get your playing position accurate and it will benefit you greatly in the long run.

I read a great article by the noted French bass player Bunny Brunel, who said pretty much exactly the same thing, regarding thumb and finger position on the "fretting" hand. When the experts tell you, it's a good idea to listen. :cool:

I don't understand how anyone could like the 3-band EQ found on most Specials. It's not my subjective opinion. A real time analysis doesn't lie. The device was designed very poorly and the way it is constructed makes it difficult bordering on impossible to modify. As I believe I stated earlier, I am going to be working on an improved design, which hopefully will end up being a drop-in replacement with better choices for center frequencies as well as less interaction between the bands.

Before I completed the entire mod on my BFR Fretless, I did pull out the horrible 3-band and installed a Tone Capsule. Man, I truly love those things, especially for single pickup basses. But in this case, it still didn't give me the sound I wanted, and I should have figured that it wouldn't. I wanted it to sound like my old '79 and to do that, it had to have highly similar electronics. That's why I changed both the pickup and the preamp. Now it sounds like I want it to.

I debated, but I will, as soon as I figure out what to ask, have the Neo pickup and 3-band EQ up for sale. I can't imagine ever wanting to sell the BFR fretless, and the only way I would ever re-install the original electronics would be if I intended to sell. So, instead of gathering dust, might as well sell them. I am still debating whether to sell them both as a package or individually. Since Ernie Ball does not sell either one outright, I should be able to get a pretty good price, but I still have no desire to gouge anyone either. More thought and research required....
 
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I got one not long ago and I agree those are super cool! Basically a 2 band Stingray Special

And the finish is sooooo cool! Outdoor pictures under the sun would make it more orange green, see mine :


View attachment 7308886


View attachment 7308887
It's amazing how different it looks depending upon the lighting. I could hardly believe my eyes last night as it positively looked green while being lit up by an overhead LED lamp. Both my Specials look different, in a great way, than any other bass I have either seen, played, or owned.
 
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Ooh man, reading about Sweetwater's financing option is...dangerous! Hard to resist that one, even though I prefer to buy used.
Yeah, in general I prefer used too. I have a custom bass up for sale (long sad story) and was willing to swap it straight across for a Darkray 5 but no one was interested. Then I saw Sweetwater's ad for the financing. I would much rather pay $85/month with no interest than have to come up with several thousand in cash for a used one, if I could even find a used one that met my weight and color requirements. Seemed like a no-brainer. It wasn't difficult to resist, it proved impossible to resist. :woot::bassist:
 
I wouldn't worry about the G string issue. There's a LOT of talk about this, but I have been playing my fretless which has the exact same neck dimensions as all the other Specials, and never had a problem. Like most things, this is more a matter of your technique than it is a matter of neck width.

People tend to gloss over the importance of proper playing technique, but that's a mistake. During my first and only formal bass lesson, a good friend of mine at the time who was classically trained on the double bass and also played a Fender JB in the Cal Poly Jazz Band taught me a couple of things, since reinforced by articles and interviews I have read.

First, keep your thumb centered in the back of the neck, opposite, if you can, your second finger but at least opposite your index finger. That will help keep your fingers at a right angle (90 degrees or perpendicular) to the fretboard. Then, because my hands are smaller than average, he suggested I use the upright technique of pairing my pinkie and ring fingers. I have played like that for over 40 years, and never had a problem with speed, accuracy (especially when playing fretless), or accidentally pushing a string off the board. When your fingers come down on the strings at a right angle, there's no pressure to push the G off, so try to get your playing position accurate and it will benefit you greatly in the long run.

I read a great article by the noted French bass player Bunny Brunel, who said pretty much exactly the same thing, regarding thumb and finger position on the "fretting" hand. When the experts tell you, it's a good idea to listen. :cool:

I don't understand how anyone could like the 3-band EQ found on most Specials. It's not my subjective opinion. A real time analysis doesn't lie. The device was designed very poorly and the way it is constructed makes it difficult bordering on impossible to modify. As I believe I stated earlier, I am going to be working on an improved design, which hopefully will end up being a drop-in replacement with better choices for center frequencies as well as less interaction between the bands.

Before I completed the entire mod on my BFR Fretless, I did pull out the horrible 3-band and installed a Tone Capsule. Man, I truly love those things, especially for single pickup basses. But in this case, it still didn't give me the sound I wanted, and I should have figured that it wouldn't. I wanted it to sound like my old '79 and to do that, it had to have highly similar electronics. That's why I changed both the pickup and the preamp. Now it sounds like I want it to.

I debated, but I will, as soon as I figure out what to ask, have the Neo pickup and 3-band EQ up for sale. I can't imagine ever wanting to sell the BFR fretless, and the only way I would ever re-install the original electronics would be if I intended to sell. So, instead of gathering dust, might as well sell them. I am still debating whether to sell them both as a package or individually. Since Ernie Ball does not sell either one outright, I should be able to get a pretty good price, but I still have no desire to gouge anyone either. More thought and research required....
Dude! Thank you so much this was an astounding reply, and I feel alot better taking to someone so knowledgeable on the preamp-EQ, Im glad you explained what you found that is a real help for me. I did notice when playing it clean in the store, it was a smooth, almost classic bass tone on the DarkRay, really showing off its tonal versatility. I wish I had the knowledge you have to understand the electronics so well. I really appreciate you breaking that down for me. I played a SR Special and had to keep the treble and mids off basically, it wasn't the best experience nor the smoothest or deepest tone one would imagine from a SR.

Well I think thats, that, I plan to pickup the DR5, and then add another SR but modified down the road. Wishing you the best, and will absolutely consider picking up a preamp for a SR4 when its time if ya have a shop-listing. Once again thanks for the brief on 5-string technique, the only time I owned a 5 it was a pretty banged up Jazz bass and it was hard to set up. As well I didn't think about perpendicular movement for a 5.
I played bass in punk rock bands as a young guy so as I get older technique becomes super important to me, especially being a multi-instrumentalist I have a lot of chops to keep up between guitar, keys and bass. I also love fx, mostly on guitar and of course a bit of delay on bass! (big King Crimson-Tony Levin fan here)
 

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