Like a lot of people I've been curious to try fretless. So, a picture (from the store's site) of the Yahama RBX 260F I brought home today:
Audio sample:
Forgive my imperfect rendition of "Jerusalem", which I've had stuck in my head since yesterday's news of Keith Emerson.
Based on just a few minutes playing, I like it! Everybody worries about intonation (I should too, I guess...), but the technique seems a little different in other ways too. The strenth of the pluck and position and pressure of the fretting finger affect the sound in ways I didn't expect, and you can hear some out-of-control notes in the above. It'll be fun figuring this out!
I was thinking some day I'd order an Ibanez portamento, but, eh, I should probably try something cheaper first, right? And I already have and like the fretted model (the RBX 260), so when I saw this at a local store for $100, I jumped at it. It seems to be in good shape. The one flaw (shared by my RBX 260) is that it's quite noisy. A shielding job helped with the other bass, so I'll try that here too. I'm hoping I can find a pro to take that on, as I didn't really enjoy doing it myself the first time.
(Actually I confess I already have one fretless, but it's an Ashbory--18" scale, rubber strings--which I don't really love, but keep around because it's occasionally useful to have a bass that'll fit under an airline seat.)
Audio sample:
Forgive my imperfect rendition of "Jerusalem", which I've had stuck in my head since yesterday's news of Keith Emerson.
Based on just a few minutes playing, I like it! Everybody worries about intonation (I should too, I guess...), but the technique seems a little different in other ways too. The strenth of the pluck and position and pressure of the fretting finger affect the sound in ways I didn't expect, and you can hear some out-of-control notes in the above. It'll be fun figuring this out!
I was thinking some day I'd order an Ibanez portamento, but, eh, I should probably try something cheaper first, right? And I already have and like the fretted model (the RBX 260), so when I saw this at a local store for $100, I jumped at it. It seems to be in good shape. The one flaw (shared by my RBX 260) is that it's quite noisy. A shielding job helped with the other bass, so I'll try that here too. I'm hoping I can find a pro to take that on, as I didn't really enjoy doing it myself the first time.
(Actually I confess I already have one fretless, but it's an Ashbory--18" scale, rubber strings--which I don't really love, but keep around because it's occasionally useful to have a bass that'll fit under an airline seat.)
