Hey there fellow TBers!
Finally took this beauty home after an eight month wait with a couple ups and downs. Bad pic, but I'll take more.
I've had for a little over a week, and spent a good amount of time with it this weekend. The neck is awesome, and exactly the reason I ordered this bass. Fret work and rolled edges are super nice, but more than anything, the profile and spacing are ideal for me. At 46mm, the nut is a little more than half an inch narrower than a Fender jazz 5. Small number, sure, but big difference in feel for me, and definitely for the better. Playability of very good.
I tweaked the setup out of the box as the action was a bit high, but it will need further (slight) adjusting now that it has been home for a while.
Sound is also excellent. The 70s positioning of the bridge pickup makes a noticeable difference in the sound. I'd say with both pickups full up it's got a little extra snap.
Most pleasant surprise so far is that I feel it gets much closer to a P sound than other Js I've played or owned. I don't know if it's the pickups, or the position of the bridge pickup (dialed very low of im after something like a P), but I'm pleased.
A couple clips below made with my HX Stomp. I'm very much a rock player, so all clips will be geared towards that genre. Honestly, it's criminal how few demos for these basses show off their rock potential.
Also, boy I haven't been practicing... nor do I know anything about recording...
Mostly old school rock. The last one is more hard rock. Totally forgot to do any just straight up unprocessed DI stuff. Maybe I'll add later.
Clip - Budgie, Pick, 100% neck, 20% bridge
Clip - Sabbath, Fingers, 100% neck, 10% bridge
Clip - Yes, Pick, 100% Neck, 80% bridge
Clip - Hyaline Grace, Pick, 100% neck and bridge
Finally took this beauty home after an eight month wait with a couple ups and downs. Bad pic, but I'll take more.
I've had for a little over a week, and spent a good amount of time with it this weekend. The neck is awesome, and exactly the reason I ordered this bass. Fret work and rolled edges are super nice, but more than anything, the profile and spacing are ideal for me. At 46mm, the nut is a little more than half an inch narrower than a Fender jazz 5. Small number, sure, but big difference in feel for me, and definitely for the better. Playability of very good.
I tweaked the setup out of the box as the action was a bit high, but it will need further (slight) adjusting now that it has been home for a while.
Sound is also excellent. The 70s positioning of the bridge pickup makes a noticeable difference in the sound. I'd say with both pickups full up it's got a little extra snap.
Most pleasant surprise so far is that I feel it gets much closer to a P sound than other Js I've played or owned. I don't know if it's the pickups, or the position of the bridge pickup (dialed very low of im after something like a P), but I'm pleased.
A couple clips below made with my HX Stomp. I'm very much a rock player, so all clips will be geared towards that genre. Honestly, it's criminal how few demos for these basses show off their rock potential.
Also, boy I haven't been practicing... nor do I know anything about recording...
Mostly old school rock. The last one is more hard rock. Totally forgot to do any just straight up unprocessed DI stuff. Maybe I'll add later.
Clip - Budgie, Pick, 100% neck, 20% bridge
Clip - Sabbath, Fingers, 100% neck, 10% bridge
Clip - Yes, Pick, 100% Neck, 80% bridge
Clip - Hyaline Grace, Pick, 100% neck and bridge
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