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NBD Stingray Special…Oh My

CaptainRuss

Supporting Member
Feb 21, 2024
188
949
Count me in! Finally got one. Fell hard for Charcoal Sparkle first time I saw it. Watched a few used ones online and either was outbid or waited too long to pull the trigger so I missed out on them. Not this time.

IMG_6532.jpeg


I’ve been happily playing my SBMM Ray34 H for a couple of months since I hopped over to playing bass in my band having been the (crappy) lead guitar player for quite some time with this band and others. I found the 3 band eq to be very diverse. Love the roasted maple neck. Factory set up was pretty darned good compared to other Ray 34s I tried and other brands in a higher tier I tried.

Then I started looking into the HH Rays. Every demo I heard convinced me that HH would be the tool I would prefer to use. From there the hunt was on.

UPS dropped this fella’ off about 8 last night. Let it adjust to the house for a little bit then cracked it open. I pulled it out and checked tuning. My 14 year old daughter who doesn’t even play snagged it in awe and spent an hour teaching herself how to play 7 Nation Army. She always gets a little excited to see new gear come in to the house but never like this.

Eventually I got my hands on it and I immediately understood the difference between SBMM AND EBMM. I’ve experienced the levels of craftsmanship between Gibson-Epiphone, Fender-Squier, etc in so many other areas besides instruments, and this just supports the buy-once-cry-once axiom.

Action is perfect, frets, perfect, neck perfect…yeah, every aspect is just a bit better than my Ray34. The playability far exceeds the SBMM and that’s really the biggest thing for me. Didn’t realize how much I struggled to play certain runs until now. Truly the extra time spent crafting the EBMM justifies the cost.

But what a joy to play. I’ve always preferred ebony fretboards on my guitars and I get the same response I like from this one. Unfortunately after playing it for a few hours very quietly after the house went to bed I didn’t get to fully unleash the broad palette packed int the HH configuration. I got enough to know that I am going to love playing this bass for a long time. Can’t wait to explore it further.
 
Count me in! Finally got one. Fell hard for Charcoal Sparkle first time I saw it. Watched a few used ones online and either was outbid or waited too long to pull the trigger so I missed out on them. Not this time.

View attachment 5410851

I’ve been happily playing my SBMM Ray34 H for a couple of months since I hopped over to playing bass in my band having been the (crappy) lead guitar player for quite some time with this band and others. I found the 3 band eq to be very diverse. Love the roasted maple neck. Factory set up was pretty darned good compared to other Ray 34s I tried and other brands in a higher tier I tried.

Then I started looking into the HH Rays. Every demo I heard convinced me that HH would be the tool I would prefer to use. From there the hunt was on.

UPS dropped this fella’ off about 8 last night. Let it adjust to the house for a little bit then cracked it open. I pulled it out and checked tuning. My 14 year old daughter who doesn’t even play snagged it in awe and spent an hour teaching herself how to play 7 Nation Army. She always gets a little excited to see new gear come in to the house but never like this.

Eventually I got my hands on it and I immediately understood the difference between SBMM AND EBMM. I’ve experienced the levels of craftsmanship between Gibson-Epiphone, Fender-Squier, etc in so many other areas besides instruments, and this just supports the buy-once-cry-once axiom.

Action is perfect, frets, perfect, neck perfect…yeah, every aspect is just a bit better than my Ray34. The playability far exceeds the SBMM and that’s really the biggest thing for me. Didn’t realize how much I struggled to play certain runs until now. Truly the extra time spent crafting the EBMM justifies the cost.

But what a joy to play. I’ve always preferred ebony fretboards on my guitars and I get the same response I like from this one. Unfortunately after playing it for a few hours very quietly after the house went to bed I didn’t get to fully unleash the broad palette packed int the HH configuration. I got enough to know that I am going to love playing this bass for a long time. Can’t wait to explore it further.
Congratulations. Beautiful bass you got there
 
Count me in! Finally got one. Fell hard for Charcoal Sparkle first time I saw it. Watched a few used ones online and either was outbid or waited too long to pull the trigger so I missed out on them. Not this time.

View attachment 5410851

I’ve been happily playing my SBMM Ray34 H for a couple of months since I hopped over to playing bass in my band having been the (crappy) lead guitar player for quite some time with this band and others. I found the 3 band eq to be very diverse. Love the roasted maple neck. Factory set up was pretty darned good compared to other Ray 34s I tried and other brands in a higher tier I tried.

Then I started looking into the HH Rays. Every demo I heard convinced me that HH would be the tool I would prefer to use. From there the hunt was on.

UPS dropped this fella’ off about 8 last night. Let it adjust to the house for a little bit then cracked it open. I pulled it out and checked tuning. My 14 year old daughter who doesn’t even play snagged it in awe and spent an hour teaching herself how to play 7 Nation Army. She always gets a little excited to see new gear come in to the house but never like this.

Eventually I got my hands on it and I immediately understood the difference between SBMM AND EBMM. I’ve experienced the levels of craftsmanship between Gibson-Epiphone, Fender-Squier, etc in so many other areas besides instruments, and this just supports the buy-once-cry-once axiom.

Action is perfect, frets, perfect, neck perfect…yeah, every aspect is just a bit better than my Ray34. The playability far exceeds the SBMM and that’s really the biggest thing for me. Didn’t realize how much I struggled to play certain runs until now. Truly the extra time spent crafting the EBMM justifies the cost.

But what a joy to play. I’ve always preferred ebony fretboards on my guitars and I get the same response I like from this one. Unfortunately after playing it for a few hours very quietly after the house went to bed I didn’t get to fully unleash the broad palette packed int the HH configuration. I got enough to know that I am going to love playing this bass for a long time. Can’t wait to explore it further.


That's one of Ernie Ball's greatest finishes of all time.
 
Congrats! Now, take the strings off it and put some new one's on. Double check the setup, especially the intonation. Factory setups can be questionable, and 9 out of 10 times improved upon.. Enjoy!

Yeah, I’ll likely go through it later. This is a lovingly used bass from someone who had some much higher end basses in the background of his photos so the chances of this being too jacked up are low. One should never assume, though.

I’m debating if I should swap the Cobalt flats from my Ray34 over to this one. No idea what the rounds are that it came with but I don’t mind them, sound good, pretty smooth and nice tension. I happen to like the flats on the Ray and it wouldn’t be too hard to do a quick change and see if they play the same.

So, really great tones in all the HH positions. Did a play-along to my bands recordings and tried all the positions for each song and kept ending up at #1, normal Stingray tone. I think I’ve baked it into my head that that tone works best. I’ll play around in rehearsal this week. Not sure I’ll mess with current songs, on new material, though, all bets are off.

What easy playability. That’s what is hitting me the most.
 
...what a joy to play. .....I am going to love playing this bass for a long time. Can’t wait to explore it further......What easy playability. That’s what is hitting me the most.
:bassist: and that's the ticket! sounds like a bull's eye (+ a cool-looking ax! :drool: ) --- congratulations on your new instrument! :thumbsup:
 
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