• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Double Bass NDBD New Double Bass Day: Nick Lloyd #68

paul

Staff member
Founder
Administrator
Jul 20, 2000
7,488
2
8,493
Texas
www.talkbass.com
So, I've decided to venture out of my usual behind-the-scenes role on TalkBass and actually post about MY new bass day! I've been playing on an early 1900's Morelli bass since I was 12 years old. It was a true blessing to have, especially at such a young age. My musician parents borrowed money from my grandparents to get it, and I will always be thankful for the opportunity to have a nice bass to play. I played it in orchestras in South Dakota growing up, at Interlochen over the summers, and for 20 years in the Austin Symphony. 35 years with that bass.

At the ISB convention in Florida last summer, I met Nick Lloyd and his work. I fell in love with a 5-string bass (high C string with a low C extension) that he'd made for Mark Dresser. It is an amazing bass, and the tone from top to bottom was incredibly consistent - from the singing high-C to the full, gorgeous low-C.

I had never even considered getting a new bass for myself, but with the support and urging of my partner and love of my life, we put down the deposit on a new bass to be made exactly like Mark's.

I have never been happier with any other bass I've played. This bass is amazing, and it's only going to get better. The setup is perfect. The craftsmanship of Nick's basses is evident - the ability for him to build a bass *for the bassist* is what sets a Lloyd bass apart, IMO. It plays like a dream. It's heavier than my Morelli, and it sounds like it. I played my first concert series with it this weekend, and its big, beautiful tone filled the hall. The high-C string is an excellent challenge to learn after decades of playing a 4-string, but already its usefulness is evident, and turning heads in the bass section :). Being able to play passages that I've always played in upper positions without moving from 1st or second position is an awesome experience.

Ok enough from me, here's the pics!

1619.png
1635.png
1608.png
1622.png


IMG_1894.JPG
IMG_1893.JPG
IMG_1897.png
IMG_1895.JPG
IMG_1891.JPG


IMG_4149.jpeg
 
Last edited:
Drop dead gorgeous. I’m sure it sounds that way, too. Can’t wait to hear it!

Regarding the relicing, Nnick is a master at that. Since many of his basses are used in orchestral settings where the surrounding basses are actual relics, it helps them fit in.
 
I have some minor comments;
To the previous comments:
- yes, you can apply varnish to make a new double bass look older, though it’s not really reliced in this case- there are no scratches, dents, dings, chipped wood, etc.
- correct about the extension stops; has a high C string as well.

Congrats to the OP on acquiring a wonderful bass!!
Coincidence- my marvelous, late teacher, Miss Pam Andrews was the bass professor at FSU for many years, where the ISB was held here in Tallahassee. She had two nice basses- a Morelli (German, not Italian, as the name implies), and an unlabeled English bass, with a keyed extension. She used to say that the Morelli had a label, but no sound, and the unlabeled English bass had a sound, but no label. Ah, such is the world of double basses.
The bass professor at FSU currently is Dr. George Speed, who is a tremendous teacher and player.
Also, Professor Rodney Jordan is the long time marvelous jazz bass teacher, and player, part of the Marcus Roberts trio.
 
  • Like
Reactions: Ross Kratter
Thank you Paul for ordering #68. It was fun to visit you and hear you play again.

In the violinmaking world we call this antiquing. Every tool mark, ding, and scratch is done with purpose. It's difficult to do correctly and I'm always looking at great old basses, cellos, and violins.

The chromatic C-Extension is E, Eb, D, Db, and C. I've made a couple of B-Extensions. As another friend and bassist remarked... you can play three octaves without leaving half position on this high C with C-Extension five string bass. :)
 
Last edited:
That is a beautiful instrument. Play your heart out with it. I love the idea of a high c and low C extension.
When the extension gates are open the unison and 5th sympathetic harmonics are RINGING. I've had bassists remark that is feels like they are playing a modern viola da gamba.
 
So, I've decided to venture out of my usual behind-the-scenes role on TalkBass

Thank you for all that you've done for bassists in general and the TB/DB online community in particular. I don't need to tell you that TB/DB is an oasis online. TB/DB is a rare example of the world-wide web we old people were all promised once upon a time.

I think that your work has resulted in a modest increase of the Galactic Happiness Quotient.

and actually post about MY new bass day!
Here's hoping your new bass brings satisfaction for years to come!
 
Last edited: