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Need help choosing flat wounds

So after reading through many posts, I'm trying to decide between two flat wounds:

-Fender 9050ML Stainless Steel Flatwound Long Scale Electric Bass Guitar Strings - Medium Light

-Rotosound SM77 Monel Flatwound Hybrid Bass Guitar Strings (40 60 80 100)


I have a Nate Mendel Fender P Bass with round wounds, so these I will be putting on my Fender American Standard P Bass. Are the strings extremely similar? Worth the price difference for the Rotosounds?
 
-Fender 9050ML Stainless Steel Flatwound Long Scale Electric Bass Guitar Strings - Medium Light

-Rotosound SM77 Monel Flatwound Hybrid Bass Guitar Strings (40 60 80 100)

If I were you, I'd try the 9050L (45-60-80-100) first, which is better balanced than the ML.

The Fender flats are one of the best values as "middle-of-the-road all-purpose flats" for less than $30.

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If I were you, I'd try the 9050L (45-60-80-100) first, which is better balanced than the ML.

michael_t, since you're the king of string tension figures of this forum, what would be the most stiff (as flexible to fret/pluck), Fenders 100 or Roto 100 ?
Nowadays my Matt Freeman is stringed with the 9050L, which I think it sounds kinda generic, and it's on the upper limit (stiffwise) on what I feel confortable to play; just tried Roto flats in the short scale version, (and at least in my dano) their tone is much more appealing than Fenders.
But always heard that Rotosound flats (long scale) are bridge cables, maybe the 100 gauge would be less stiff than the 9050L ?
 
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michael_t, since you're the king of string tension figures of this forum, what would be the most stiff (as flexible to fret/pluck), Fenders 100 or Roto 100 ?
Nowadays my Matt Freeman is stringed with the 9050L, which I think it sounds kinda generic, and it's on the upper limit (stiffwise) on what I feel confortable to play; just tried Roto flats in the short scale version, (and at least in my dano) their tone is much more appealing than Fenders.
But always heard that Rotosound flats (long scale) are bridge cables, maybe the 100 gauge would be less stiff than the 9050L ?

I have no personal experience with the Roto 77 flats so no comment on how they actually FEEL. That said, based on what I've read, I would say the Fender 9050L (45-100) and Roto 40-100 are similar in terms of stiffness and overall playing feel. The main difference between the two would be the tonal character.

When people talk about the Roto 77 flats being "bridge cables", they're usually referring to the Steve Harris set (50-110) or maybe the standard set (45-105).
 
michael_t, since you're the king of string tension figures of this forum, what would be the most stiff (as flexible to fret/pluck), Fenders 100 or Roto 100 ?
Nowadays my Matt Freeman is stringed with the 9050L, which I think it sounds kinda generic, and it's on the upper limit (stiffwise) on what I feel confortable to play; just tried Roto flats in the short scale version, (and at least in my dano) their tone is much more appealing than Fenders.
But always heard that Rotosound flats (long scale) are bridge cables, maybe the 100 gauge would be less stiff than the 9050L ?

Roto SM77s (40-100) are 178.6 lbs, which I think is relatively light for flats.
 
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I have used both the Fender and the Rotosound sets, but it has been 20 years since I had either set on a bass.

If I had to choose one, it would be the Rotos. They were a little brighter.

If I may suggest another set: Ernie Ball Cobalt Flats.

Flatwound feel, almost Roundwound sustain. Less thump than most flats, but I think they are just wonderful.

I have them on my Stingray and my Ibanez fretless.

Try them.

Mike
 
9050L sound good on P bass.

EB 2814 has too much MID and spark upper mid for P bass, but sound just right on my Squier CV50P which load with Fralin Split 51p pup. Tighten up the low end and the MID voice no shy anymore.
 
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