That's very nice. I'm going to have to pop in there and listen to it. That pretty much has everything except the pre-eq DI at a real good price point. Is there a catch that I'm missing? I can't get to Sweetwater this weekend so it'll have to be next weekend before I can listen to it. Stupid holiday stuff and family.
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That's very nice. I'm going to have to pop in there and listen to it. That pretty much has everything except the pre-eq DI at a real good price point. Is there a catch that I'm missing? I can't get to Sweetwater this weekend so it'll have to be next weekend before I can listen to it. Stupid holiday stuff and family.
These threads always amuse me- not for someone needing help, I'm always ok with that. Before I even click on the thread I can guarantee I know some of the responders and exactly what amp they'll suggest. It's almost like the responses are pre-typed for them.
I'm a GK guy, but I'd suggest staying away from them in this scenario, probably Ampeg as well. Both brands have a nice growl and punch to them, while great in some band settings, I'm not sure that's what you'll want. If you're going to play techno and trance, they may be a bit much when you want a deep booming sound.
I'd probably suggest Fender or Markbass here. Markbass is a little pricey and out of your budget brand new, but some of the used amps are in your range. Here are all the used Markbass amps on GC's website.
I'm a GK guy, but I'd suggest staying away from them in this scenario, probably Ampeg as well. Both brands have a nice growl and punch to them, while great in some band settings, I'm not sure that's what you'll want. If you're going to play techno and trance, they may be a bit much when you want a deep booming sound.
I'd probably suggest Fender or Markbass here. Markbass is a little pricey and out of your budget brand new, but some of the used amps are in your range. Here are all the used Markbass amps on GC's website.
Finding all that and a level for the AUX is not going to be easy... but whatever you put through the aux likely has its own level control?
I'd suggest the Mesa D800+ for an amp. Because it's just delicious. In addition the built-in variable HPF control will allow you to get the bottom end tight and avoid boom/mud or simply crazy lows being sent to your speakers... which can be pretty cool especially if into synth-like sounds.
As for cabs... I love my Barefaced Two10, I use two of those and the whole combination is fantastic for a wide range of styles... but you might prefer something more full range. The choice of cabs I'd go for are all 12", so I'll let someone else chime in for full range 210 cabs.
Don't worry about the passive/active.
Most active basses are not actually that high output, and you can't just make the generalisation (even if lots of people do, but they would stop if they actually tried a few more basses... but I digress).
The 'active' mode is often just a simple attenuator that sometimes worsens your sound. As I rule, if an amp has active/passive, I plug into the passive. If it sounds ok (which 99.9% of times it does) then that's it. If it saturates, then use the active attenuated signal. This is for any bass, whether active or passive. Some passive basses have huge output (for example, any G&L with the MFD pickups... and I've used a bunch of aftermarket neodymium pickups that are very high output too, totally passive).
Best of all is to have an amp with an input gain control: that way you set the input gain to whatever works with your setup. Many amps these days have that. The Mesa D800+ I mentioned earlier has that too, of course.
this combo will blow you away...check out "bebass" fellow TB-er all round good guy and owner of this store...Link Removed
I know you said 2X10 so look into this Link Removed + Traynor Amps
there is a 500 watt version of the amp as well
rock solid gear, amazing tone, built in N America, well priced
no affiliation other than conversations with him here and I have the head and have played the combo
I know you said 2X10 so look into this Link Removed + Traynor Amps
there is a 500 watt version of the amp as well
rock solid gear, amazing tone, built in N America, well priced
no affiliation other than conversations with him here and I have the head and have played the combo
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I recently started getting into rack rigs. They are very flexible and affordable right now. I have small mixers for a multi synth, looping setup but I could easily find a rackmount mixer. Getting a separate power amp and preamp allows you to decide where your effects go, and if you have a preamp with crossover or even just get a crossover, you've got a lot of flexibility. Finding rackmounts to fit your budget is easy.
For what your goals are, I think a separate amp and cab is your smarter choice.
Why? I think you would be better served with two matching 210's or two matching 115's.
I would shoot for a 500 watt head, and two 8 Ohm cabs.
Be careful here. Many aux inputs are headphone out only. Do some research on the amps and this feature before buying.
Almost all are pre-eq. Why is that an ask for you? Personally I want post EQ.
This is going to be tough on you small budget. You will be happier with a more capable cab IMHO, but those dont come cheap.
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Save yourself some headaches and go modular. I'd say a nice loud budget head like a Carvin or Bugera Veyron and start with an 8ohm 2x10 cab. Later add another matching 8ohm 2x10 cab. You'll be loud, proud, and modular all at the same time.
^What he said. It even looks like your requirements are based on the Fender Rumble. You can have either a 500 head and which ever cab you want, but that might go over budget. I gig with a 500 combo with a 2x10 extension cab so I have 500 watts going into 4x10, and that will do anything you want. Additionally, the controls on the 500 will give you any sound you want.
Skip the aux input and go with a small
Mixer. I use a mackie mix 5 to combine my bass and keys/synth and it's worked the best for me so far. I can control the level of each with the gain know and have a 2 band EQ on the keys. Both instruments get the amp EQ applied but you can make it work.
Dragging 2 complete amp setups can be a real pain if you don't have very small
Cabs or a really big car.
Mixer. I use a mackie mix 5 to combine my bass and keys/synth and it's worked the best for me so far. I can control the level of each with the gain know and have a 2 band EQ on the keys. Both instruments get the amp EQ applied but you can make it work.
Dragging 2 complete amp setups can be a real pain if you don't have very small
Cabs or a really big car.
Lots of brand fans here.
I agree with all who advised you on these points:
1) Head + Cab (better for expanding and potentially trading later)
2) Buy used if possible. So many great deals here.
I would add, though, avoid cheap gear that you can't unload later. They are a waste of money.
Class D heads are so light and getting pretty inexpensive. You may end up with a set up like I have... 2 Class D heads and two neo 210 cabs. I have two separate rigs...one for home and one for practice space. But for bigger gigs, I can run both. Very light and transportable.
If I had a behemoth tube head or a monster combo, I would be limited. I drive a small sports car and I can fit everything I need for a gig in my hatch and passenger seat.
I agree with all who advised you on these points:
1) Head + Cab (better for expanding and potentially trading later)
2) Buy used if possible. So many great deals here.
I would add, though, avoid cheap gear that you can't unload later. They are a waste of money.
Class D heads are so light and getting pretty inexpensive. You may end up with a set up like I have... 2 Class D heads and two neo 210 cabs. I have two separate rigs...one for home and one for practice space. But for bigger gigs, I can run both. Very light and transportable.
If I had a behemoth tube head or a monster combo, I would be limited. I drive a small sports car and I can fit everything I need for a gig in my hatch and passenger seat.
