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Thank you guys!
Do PJs get respect around here? Are they a viable choice? More classic than a Stringray? What puts me off a Stingray is that I've heard they're one-dimensional and have a very specific tone that sometimes isn't the right choice. What attracts me is looks, design, build quality (or so I've heard).
For realZ, Bro. Well said.Water under the bridge. Grab a cheap bass to get your chops up. Sell it when you leave your current location.
When your get home....
Grab a nice bass, a good rig, some fried chicken, and get busy.
Watch the used market. I feel the same way as you about the lack of color options and prices. I was able to find a used CS jazz in bing cherry with real pearl inlays and a flamed maple neck for $1650 - a little more than a new standard jazz. I ended up replacing the "noiseless" pickups with Aero type 1 single coils. I also put in a Nordstrand 3B preamp that allows me to have a 3 band pre when I want it and a toggle switch to run passive when I don't. Absolute best of both worlds. Because I enjoy it so much that would be my advice. Buy one used, put your own electronics package in it, and keep it this time....This is a weird one admittedly, but I have no one else to pour my heart out to but TB, so any kind of advice/criticism would be welcome.
I once bought a magnificent used Custom Shop Jazz Bass for a very attractive price. It was very well-built, had beautiful wood (perfect, perfect neck!) and an amazing Aztec Gold finish. It was an active bass. I also swapped the Noiseless pickups for some Lollars (time to order from the US + money). Overall great deal. Had it for about a year.
Then I foolishly sold it. For no real reason. I didn't *need* the money. I didn't really have a strategy of what I'm gonna do next. Just one day decided to sell it. Partly because I thought I wanted a passive bass, maybe a P-Bass, I don't even remember now, I was delusional.
It's worth noting I don't gig or rehearse now because I'm currently far away from home in a foreign country and have zero chance of finding a band. When I come back, though, joining a band will be my top priority. I used to play in a band back home. The idea is that while I have the time and stable income, I'd assemble a nice rig and work on my chops to be ready to kick some *** back home.
I was left without a bass. I also play guitar, so I thought I'd maybe focus on guitar...
Anyway, the real point of this thread is the following: I'm now hunting for a bass but I absolutely cannot get rid of the feeling that I screwed up big time and nothing I might buy will ever be as good in terms of quality/price. In other words, right now I'm looking at spending at least the same amount of money on a regular, non-CS Fender. A Stingray, which I'm reluctantly considering, costs even more (oh yes, I'm in Europe, so our prices suck). If I decide to swallow it and get a regular American Standard P-Bass, I hate the current finishes. I hate sunburst, while the only other options are black and white. The most attractive option currently is a used AVRI-75 Jazz Bass for about 600$ less than the bass I sold. But if I'm getting a Jazz Bass, why did I sell the previous one?
I don't know if I'm making any sense, but hopefully you see my point. I'm just unable to make a decision right now at all, because the bass I sold keeps haunting me. There was absolutely nothing wrong with it. Ok, I thought it hummed, but what do I know? It was a beauty! How can I justify spending the same amount of money now but on an inferior bass?
So what are my options?
Thank you all!
Thank you guys!
Do PJs get respect around here? Are they a viable choice? More classic than a Stringray? What puts me off a Stingray is that I've heard they're one-dimensional and have a very specific tone that sometimes isn't the right choice. What attracts me is looks, design, build quality (or so I've heard).
What country are you presently calling home? If it's popular enough you may be able to find someon to hand carry you a bass from the states. I have taken several to South America for a TB friend down there.
).