• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

New Ashdown Drophead 30 115 H

Ashdown NAMM video:




What I'm wondering is this: If the amp can fit in the cabinet, why not just make it a regular combo amp and have the controls on the outside of the box like an Ampeg combo? Instead of flipping the amp out every time you want to play, you could just have an input, eq dials, etc.. on the outside od the whole piece.
 
I know the B15, great amp, same principle though. Why would it have to be a heavier and bigger cab? There is clearly enough room to fit the electronics inside already. (I mean this as a legitimate question, not as condescending). I should be able to be the same size and be like moving a combo amp.
it's because the head takes up airspace in the cab, so if you leave the head in it, you're cutting down on your cab's airspace, which also cuts down on low end. the only way to make it work to where the cab sounds as intended is to increase the overall cab volume, which of course makes it a bigger cab, and in the case of a tube amp, much bigger. guitar amps can get away with it easier because low end response isn't as important as it is with us.
 
:cool:

I must say, I like these.
But a $2200 price tag, for a 30 watt studio amp, is mighty high.
For $800 more, you get the 200 watt version, which can be used for small to medium gigs?
I think Ashdown would sell many more, at $1200, for the 30 watt, and $2000 for the 200 watt.
I know these are costly to make, but more, and more amp makers are pricing them self"s out of reach, of the buying public.