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The other reason why I'm afraid to buy the Jamersons - the first being my neck warping. The core of that set is thicker then the other DTFs, maybe that's why it's hard to intonate.How’s intonation with the 107? I remember being unable to intonate the E string of the Jamerson 110 set.
The other reason why I'm afraid to buy the Jamersons - the first being my neck warping. The core of that set is thicker then the other DTFs, maybe that's why it's hard to intonate.
I understand the string is still sharp with the saddle all the way back?
Are they more articulate in the mix than other flats?I am really liking these strings now they are worn in.
Stronger fundamental when compared to the Labella LTF, a little more tension, but not a great difference in feel.
A little less harmonic content, but in a good way.
I thought I had found my strings with the LTF, but these are a definite challenger.
I like the LTF more than the Dunlops flats and TI’s for my taste and sound.
Spent a lot of time with those as well.
Yes, I think so, a little less going on which helps it push through, it is subtle though.Are they more articulate in the mix than other flats?
I must admit they have been on and off my Precision a few times, deciding if I like these or the LTF better.Are those few here using these still liking them? These sound interesting if holding true to claims.
Are these strings readily available yet?
Their website does specify hex core. these seem to be hex core. nowhere on the packaging says that they are round core.
I bought a set recently (direct from La Bella - they arrived 2 days later) and plan to put them on a jazz bass, but I won’t be able to do that until September. So if anybody does put them on a jazz, I’m all ears!Anybody put these on a jazz bass yet?
I’m looking forward to your impressions! The Sadowsky Black Label flats were/are my favorite flatwound, and I wonder why they were discontinued?! I hoarded a handful of sets from people on TB back when they were still making them, but would love to find a similar replacement. I find the current Fender flats have some similar midrange characteristics, but lack the same depth of punch and don’t seem to retain the tone as long.I bought a set recently (direct from La Bella - they arrived 2 days later) and plan to put them on a jazz bass, but I won’t be able to do that until September. So if anybody does put them on a jazz, I’m all ears!
These strings are advertised by La Bella as the most articulate flats available and I’m hoping they will be close to the old Sadowsky blacks, which are the most articulate flats I’ve used - also made by La Bella.
Without tension value provide, it look like a thicker version of LTF4A since LTF has retain more upper mid voice than DTF set.
Meanwhile not mention yet either round or hex core inside.
But D string seem quite thick if this set are balanced tension set like LTF4A.
OSF-4 Olinto Signature Flats – 4-String Set, 47-107
- Hex core for better intonation and to prevent string buzz
- Standard Tension
Put the Olinto flats on my ‘66 P bass (actually a PJ as of 40 years ago) and initial impressions are as noted above.Stronger fundamental when compared to the Labella LTF, a little more tension, but not a great difference in feel.
A little less harmonic content, but in a good way.