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New PJ Mustang at Summer NAMM

I got my nut width stat from the Sweetwater listing, but you're right. I just measured mine and it's a 1.5 inch nut. Thanks for pointing that out. Maybe I should tell Sweetwater to fix that stat.

I believe the unwritten rule is if you find the mistake you get the bass for free. Although i have zero authority and am not legally permitted to be without adult supervision, I would start there and see what they say
 
I don't think Fender was prepared for the response to this bass.

Guitar Center, Musicians Friend, Sam Ash, Zzounds, and Sweetwater
are all sold out of all colors and back ordered.

Except for GC shows sonic blue in stock.
Edit: oops - checked again and that one must have sold - backordered again.

I would call your local GC's. Their web site is rarely accurate. There is (was?) a sonic blue at the Nashua, NH store this week and it has never been on their web site (along with three or four Markbass heads, some used stock, etc.).
 
Here's a picture of how my Mustang strings are wrapped:
View attachment 1010933

And my Guitar Center Fender P/J Special long scale I bought last June:
View attachment 1010935



Neck specs: Radius 9", fret wire is .031 high and .105 wide (see picture), nut width 1.5", nut thickness 1/8".
View attachment 1010940

Let me know if anyone needs other pictures or measurements.

Obviously, someone else did the strings on mine!

S1410005.jpg
 
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I've been noticing that with the volume control rolled down a bit, it seems to change the tone knob function.

Like if the volume is dimed the tone knob behaves liked Id expect. But if you turn the volume down 10% the tone knob will act like its own volume control. Cutting highs until no signal can be heard just about.

It's a little weird. The volume knob also seems to cut the lows some, almost like it has treble bleed. It could also be a perceived thing.
 
Anyone know the specs on the neck? The radius? The fretwire? The shape? Nut width? I'm thinking about putting together a short-scale jazz build and I'd like to get a neck as close to this as possible.

Is this neck jazz like or precision like?

Radius is 9.5

Nut is 1.5

Frets are pretty standard Fender medium jumbo

It feels like a jazz neck but the heel seems narrower. The neck isn't as wide at the higher frets.
 
I didn't have the chance to test one yet, however, as i stated in a post concerning the new Fender Professional Series (P and J basses) i really hope Fender would consider to issue a Mustang in the american made top level Professional Series, possibly with the original design and un updated pickup. Dreams, dreams, dreams!
 
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I've been noticing that with the volume control rolled down a bit, it seems to change the tone knob function.

Like if the volume is dimed the tone knob behaves liked Id expect. But if you turn the volume down 10% the tone knob will act like its own volume control. Cutting highs until no signal can be heard just about.

I don't have one of these so I can't offer any direct experience. Normally the tone control pot and cap connect to the pickup side of the volume pot, to the non-grounded outer terminal. If you instead connect it to the wiper (center) terminal of the volume pot you will get an effect something like you describe. If you feel like opening it up at some point you might check to see how it is wired and/or post pictures here if you want help with that.
 
I don't have one of these so I can't offer any direct experience. Normally the tone control pot and cap connect to the pickup side of the volume pot, to the non-grounded outer terminal. If you instead connect it to the wiper (center) terminal of the volume pot you will get an effect something like you describe. If you feel like opening it up at some point you might check to see how it is wired and/or post pictures here if you want help with that.

I've been thinking about doing it. I've so far not found anything I'd want to change though.

The only thing I can think of would be to change the tone cap to a slightly lighter one, 0.022uf or something. Otherwise I've been thinking about a 4-way superswitch or something to get a 100% P 90% J tone.

With this being a new take on the Mustang bass Fender released though I'm kinda wanting to keep it stock for collector purposes. I might buy a second one though.

Would the wiring you mentioned (tone wired to wiper) have any advantage? Does the wiring work better this way with a 3-way switch or something?
 
I don't see any advantage and I don't see any sign of this being the way Mustangs have been traditionally wired in the diagrams I can easily access. So my assumption is that if there are Mustangs wired that way it's due to human error. But I don't know that there are miswired Mustangs out there, I'm just making a guess based on an owner's description.
 
I've called Fender several times. They have always been helpful to me. I call the number posted on their website, 844-202-0924. I just measured my Mustang strings with a Stew-Mac digital caliper, .045, .065, .085, .105.
Have just had a look at the strings on mine, Fender claim these basses ship with their Nickel plated strings but their Nps strings come with colored ball ends and these have bronze colored ball ends , hmm another red herring thrown in ,i wonder what these strings actually are, maybe Fender had a load of their older nps strings they needed to use up ?
 
My sonic blue Mustang arrived yesterday and I can't put it down, I'm really digging this bass.

It really is a modern classic.

One thing I love about this is that the front of the headstock is gloss finished, a nice look, but the back of the neck is satin which feels wonderful and wears nicely as you play it by smoothing out.

Yep. It's got a good feel and sound. Made well. Price is right.

I've been playing it a lot. I actually like the bridge pickup tone on this bass.

One thing I noticed that I really like is the skunk stripe. It has a nice grain.
 
I've had my Fender PJ Mustang for about a month now. Love it! I realize that every bassist has their "preferred "tones and types of music they prefer/play. For me, I do classic rock, a little bit of jazz, a bit of pop country (ie Keith Urbanish), and contemporary Christian , etc. I play with a Christian rock band, and yes, we do some hard rockin. My band mates were afraid that there wouldn't be enough "low end" for some of the songs we do...NO WORRIES! The Mustang came through the mix just fine! I've grown tired of hearing that a decently set up short scale can't do what standard scale can. If I want to go really low, I use a DigiTech Drop Tune pedal. Much (but not all)of what can, or cannot be achieved from an electric bass has a lot to do with the bassist's knowledge of how to properly use their amps, pedals, boards, etc. I really don't miss having a 10-11 pound bass hanging around my neck when we do a 2 hour gig. I've got my Mustang down just below 8lbs. Hipshot Lite Tuners...still balances perfectly.

I hear many say that you can't get "this" particular bass sound with "this" particular bass....I'm understand that there are some unique tonal qualities out there but, as far as having an "all-around bass", this PJ Mustang short scale is capable of covering a lot of ground. If one becomes more familiar with the tone of various strings, all the technology, amps, pedals available, and (IF you are playing through a mixing board) and you have a competent tech person running your board and mix, the possibilities are endless. I've had people come up at venues we've played at and ask me how I got such a "bright" sound from a Pbass. All I did was adjust the EQ on the amp and used a hand position closer to the bridge!

I have several other basses, "low" to "intermediate" price range, both standard and short scale, 4 and 5 string. I'm confident enough at this point with the Mustang, that I've already put three of my other basses for sale on the classified forum here at TB. "Thinning the herd", so to speak. Your situation/requirements may be different, but I just don't need 7 different basses at this point!

Bottom "low end" line: I like the Mustang! YMMV!
 
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Yep. It's a versatile bass honestly.

This is the first bass with a 3-way switch I've ever liked. Usually I find it too limiting, and Ive never found a bridge J pickup useable so it didn't make sense to me that one setting would have it solo'd.

Well, this bass works well in every setting, so it's kinda neat you can switch between different tones quickly like that.
 
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Am really liking my Mustang , I love my Squier SS Jaguar bass but this bass is just so much better. There is a certain resonance and liveliness to the tone of this bass that the Squier just does not have, the pickups on this bass are fantastic also, the P pickup is deep and warm with good mids and the J pickup as others have already noted is strong enough that it is usable soloed and has a good burpy J tone to it , love the simplicity of the 3 way switch (although it could be a little more sturdy)
 
I briefly played a sonic blue one today. You can really see the color so much better in person. It played fine, but the fretboard wasn't finished very well. Lots of grooves on the sides that did not look man made. I thought they would have done a nicer job making it more even.
 
UPS just dropped off my red Mustang P/J. I haven't set it up yet.
Had to let it warm up a bit and then just checked it out to make sure everything works OK.

I already have the blue one, and have used it enough to believe this new Mustang is the right bass for me.
Got a spare before Fender pulls a boneheaded move like discontinuing them.
I have a few other basses up for sale now.
A quick pic:

.


2X - Copy.JPG
 
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