Agreed. I never use an amp. Just direct to the PA.However, when feeding an amp and cab, the color switch (like full blend on the BDDI) can be too much of a good thing, layering one EQ profile on top of a similar one.
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Agreed. I never use an amp. Just direct to the PA.However, when feeding an amp and cab, the color switch (like full blend on the BDDI) can be too much of a good thing, layering one EQ profile on top of a similar one.
Hi there,I'm currently using the Zoom BX1On M80sim at home and its distortion sounds pretty good, so much it has me thinking about getting the real thing. Out of curiosity, is the M80s distortion its own thing or is it cloning something else ?
I agree with Brent...the M80 is kind of its own thing IMO. Most people tend to use words like hard-rock, metal, modern sounding when describing it and the tendency seems to be that folks either love or hate it. It's not a warm, over-driven tube sounding kind of voicing. I would say its more fuzz/Rat-like than anything else.Hi there,
It's really its own thing. I have a Zoom B3 and the M80 sim comes really close. I've had several real M80s over the years and sold them for some reason. But it's a great box. It excels as a clean preamp but with fiddling with the blend knob you can get some good sounds with the distortion.
Have fun!
Brent
Absolutely!I agree with Brent...the M80 is kind of its own thing IMO. Most people tend to use words like hard-rock, metal, modern sounding when describing it and the tendency seems to be that folks either love or hate it. It's not a warm, over-driven tube sounding kind of voicing. I would say its more fuzz/Rat-like than anything else.
It's also worth noting that the color (midscoop/hi and low boost voicing) feature is automatically engaged with the distortion. The blend knob is your friend here and can IME really make the distortion a lot more pleasant/smooth sounding. Love it or hate it, the M80 distortion does sit well in a mix and allows the bass to cut through without overpowering other instruments.

It sounds great and gives you another option.+1...captures and summarizes my feelings exactly. I think many folks who were looking for a BDDI option and turned to the M80 and would describe it the same way.I essentially use the M80 for the clean preamp, XLR & Parallel Output features. The distortion was never a selling point for me. Tweaking with the blend and the gain can get some decent tones however.
+1...captures and summarizes my feelings exactly. I think many folks who were looking for a BDDI option and turned to the M80 and would describe it the same way.
Actually, I own the BDDI (last version and newest), PDDI, and Tone Hammer pedals along with the M80. I think they all have the ability to get the job done, some are just a little better at certain tones/voices than others.I could go either BDDI or M80 and be happy. The way both are marketed make them sound like they are meant to be distortion pedals which I guess could cause some confusion.
Looking for something like the M80 that can do regular clean & also somewhat approximate a clean all-tube head with or without just a slight bit of clean tube OD.
Not really interested in distortion.
Can any of you with experience with multiple pedals of this type recommend a particular pedal?
I think I could get there with either a VT Bass DI or the Darkglass Vintage Ultra, but hoping to spend a bit less (or a lot less) money.
Thanks!
That's what I use the second channel for.For the money, I think you'd be hard pressed to find a cleaner pre-amp, with some added features, and a clean XLR out that will top the M80. I've kept it in my arsenal and find myself turning to it when I want a simple and effective pre-amp/EQ that can double as my DI box.
You can always use that distortion channel as simply a scoop EQ optional voicing (automatic color switch activation and blend at zero) or even a kind of mute function (volume at zero). I also find the EQ set points to be very well selected, at least for me as a 4 string player.