Yes it is. It even has it's own tap off of the output transformer.
Any chance to have the instructions for properly biasing the finals on this one? I want to order some matched tubes from TAD next week...
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Yes it is. It even has it's own tap off of the output transformer.
No I haven't yet, but since this thing is so midrangey I bet you wouldn't need one. My volume isn't even up halfway and my guitar player told me to cut down. I do have a rumble 115 and a rumble 410 if I ever wanted to try thoughHas anybody tried out an extension cab with their ACB?
Gutshots please!Any chance to have the instructions for properly biasing the finals on this one? I want to order some matched tubes from TAD next week...
Do you think it would sound good with a stingray which is active? Do you think it sounds good with a 5 string active bass? My guitarist said it sounded muddy with my B string, not middyI tried it with an Ampeg 210 AV, couldnt here a difference in volume or sound. Very middy sounding amp, anyone has the freq range for the tone controls? Right now with my new active 5-string Lorita bass I have the treble and mid at digit 2 bass at digit 9 and mid swich at low. This amp is made with Fender basses in mind, it sounds good with my FCS journeyman -66 relic and with my Sire P5 5-string
Yeah sure it sounds good with any bass I think. You have to find "your" sweetspot I takes a little experimenting and fiddling around with active bass. Great slap sound if you want that and I do.Do you think it would sound good with a stingray which is active? Do you think it sounds good with a 5 string active bass? My guitarist said it sounded muddy with my B string, not middy
Good news! Pity about the schematic pic...I got my ACB back from the shop. As expected, it was a pesky 12ax7. Also, now when I switch it into play mode from standby, there is no noticeable noise. Before there was bit of electronic twitching while it switched over. That's gone. Probably the 12ax7 from the get-go. The tech wouldn't let me take a picture of the schematic, said it was against the contract. He mentioned that he thought it looked like a well-built amp and that it would last decades. Man, it sounds sweet, and I'll be using it this weekend instead of the TV15. Yay.
surely they'll get online sometime thoYep, I used mine live 6 times before a tube went bad and for the sake of the warranty, I took it to the shop. It did very well in a 6-piece band, holds it's own on Santana, El Chicano, Rock n Roll, Classic Country. The guitar players love it. We play Moose and Elks Lodges as well as the senior center circuit. Some dive bars. I had to use earplugs once and I had the keyboard player go to the back of the room to see how it was sounding. He said it was fine but could use a bump up. So I bumped it up. Sounded great. I was kind of tripping about having it so loud but the next day at home it was fine.Anyone used the amp in a live performance yet? If so, how did it do?
I myself don't understand his definition of muddy. He claims he hates mids on a bass and they should be turned completely off. He has said that they cause distortion when turned up high and cause an even muddier sound. I guess he thinks bass should sound deep and low. So I give up.I played at a gig last weekend using it and a Spector Forte 4 string (not in passive mode) and was told it sounded great by a few different people that I trust. I used channel 1 input 1 for most of it, and did a bit of channel 2 input 1 towards the end.
Have you asked it to explain what he means by muddy, how he thinks it should sound or something you can work with other than the current description?