Hello.....hello.....is this thing on????
Part 15 already!!!
OK - I will spare you the wave (at least now) because I actually have work to do but I hear I am getting blasted here for my lack of posts (especially for not posting pics of Blondie)...so consider this a "single post wave"....
sorry - since I picked her up I have been EXTREEMLY busy with family and business events ......just had a conference this weekend where I met an old friend who I knew was a bassist (has a 1970s fretless RIC and - I JUST found out - a late-1960s Starfire!!! wahoo!)...he even played with Woodie Herman for a while...
I also met a guy who played at the graduation party of Hall and Oats (they both graduated together from the same college) and went on to play with them and Jim Croce in teh studio....
this person has - what he thinks - is one of the first RIC-O SOUND basses.....I have asked for pictures etc.....will post these when they come in......the interesting part is he says it has the RIC "swoosh" bu no name....hmmmm..
anyways - we all had some good discssions at dinner and between sessions!
now - what you have all been waiting for:
A quick review of Blondie....well, she is just about everthing I expected....she is simple yet classy and beautiful...and talk about rolling thunder!
I tried it in both single and double coil mode and man! what a difference...the way to explain it is hearing thunder in the distance and then (switch to double coil) a RUMMBBBBBLLLLLE as a lighting bolt hits next door....it is THAT significant of a difference.
it has the most rumble factor (if you know what I mean) of any bass I know....
it seems to have a lack of really high end in double coil mode - I have to keep the treble way up and tweak the "passive" tone knob almost all of the way and it still seems to lack SOME high end...
THAT BEING SAID: It has great mids and lows and seems to "pop" well when snapped in the midst of a song (as most of you know, I cannot slap worth a can of beans but we play this song in church where I get to pop a few times and it sounded GREAT!)
it has grumble and rumble gallor and sits in VERY well in the mix....to be honest, I think this bass sounds significantly better in amoungst other instuments than by itself...which says alot because it sounds great by itself...it cuts through nicely....I thought it would be "too bassy" an boomy but that was not the case.....
the passive tone knob is a MUST...it influences all of the sound, even in active mode.....Carl did not think it would work in active mode but I told him that Markus' did so he tried mine and viola! I never thought I would teach Carl anything!!! well, I didn't really but like to think I did...
too much talk:
here are pics:
as you can tell, the neck is a little plain, but it is FAST and comfortable!!!!
PS - supposed to be high 60s today so the pics are outside!!!
take care:
Doug