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older Rumble Amp??

store by me has a older fender rumble 100. its big, heavy, covered in carpet and has a red light under it. looks like it has a tweeter. they are selling it for $150. it sounded better then the current rumble 100. but its big and heavy.... were these any good?

i has a DI, active/passive and midscoop, 4 band eq and stereo cd in and effcts loop.

also some distortion with tone rolled off. but louder and crisper then current model and i could feel the bass.
 
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I remember those. I had two different ones at a rehearsal space. One was the Rumble with the red "shadow" light, and the other was a modern Bassman combo.

They had a completely different tone goal compared to the current Rumbles. They were much more stout and modern sounding. Good amps if you can stand the extra weight. $150 is a good price if you're willing to lug it around.
 
any idea why it seemed 'fuzzy' with the tone rolled off my bass? i've only ever owened a 15 watt amp, so don't have v much to go by
it’s possible that with the tone down you’re hearing the low end growl that you’ve never been able to hear on a smaller amp. It’s also possible that the speaker is buzzing (could be bad speaker, could be playing louder than it can handle, could just be a vibration in the amp or room) and rolling the tone all the way off gives just enough low end boost that it’s putting it over the edge.
 
store by me has a older fender rumble 100. its big, heavy, covered in carpet and has a red light under it. looks like it has a tweeter. they are selling it for $150. it sounded better then the current rumble 100. but its big and heavy.... were these any good?

i has a DI, active/passive and midscoop, 4 band eq and stereo cd in and effcts loop.

also some distortion with tone rolled off. but louder and crisper then current model and i could feel the bass.
That sounds like the description of one of my rumbles, acquired as a a throw in for another deal. It's quite a bit heavier (115 vs 112) than the Rumble 100 I bought 7 years ago, but I do like the sound of it better. I'll often drop hat unit at a house where low level rehearsals are held and leave it, but it wouldn't be gig worthy unless it's just for a stage monitor.
 
I went through a bunch of used, smallish amps when I took the bass back up a few years ago, including a couple of Rumbles from this era -- the first version, with the red light and the black carpet. I thought the 100-watt version, with the 15, was extremely dark and tubby sounding. The piezo tweeter was useless and pointless, of course, and I thought the thing was also too heavy and cumbersome for my purpose. I kept a 60-watt version, with a 12, and I use it as a practice amp in my "studio" (office). I leave it on 24 hours a day, 7 days a week, and haven't had any trouble with it at all. It doesn't sound nearly as dark as the 100-watt version. BTW, the disco light can be disconnected easily if you take the speaker out -- this is true of both of the versions I've had.

@GregT is right that the price isn't much less than a new V3 Rumble 100 -- in fact, I think I saw where they were blowing them out at $150 at a couple of places, which would make that a no-brainer. Especially considering that if that V1 fails, there's really no fixing it -- it would cost than it's worth -- and the new one comes with a warranty, along with being somewhat more readily repaired if necessary.
 
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Heres what you want to try as part of any cab/combo test (may narrow down the buzz source) Do this with any existing rigs u have, may blow your mind...

Get any (many free) ap that plays a single tone. newer amps you can usually plug phone into a 1/8 aux. FX loop return is great with a 1/8-1/4 adapter. for some old stuff u can get 1/8-rca if needed.

So ap plays just a single note sine wave. Not at all like a bass, which produces a (often weak) fundamental and a cascade of higher and higher overtones.

Play a "safe" note, like E4 (aprox 320hz). Get it going loud. Now drop down octives (160 e3, 80e2, 40e1). You will also want to do this with A notes and B if.you have a 5 string.

When you get down to the "fundamental" b0 e1 a1, you may be horrified by what even "good" speakers actually produce. You may not even get a note or even sound, and the volume is going to be way down. The speaker may be flapping, and thats... just how it is on most rigs.

The good news: U wont want to believe this, but you dont "need" the lowest fundamentals. esprcially for B be happy if its doing (B1)60hz well, E is "ok" as long as speakers strong at 80hz(e2). If that speakers actually sounding good smooth and loud and no flap or rattle at 50(ish hz,, a1) thats actually an AMAZINGly good bass rig, but if not welll... a2 100ish hz wotks.

Whatever u have/get, learn where it starts to suck, then use a HiPassFilter(or tight ParametricEQ bands) to pretty much eliminate anything below that point. Then your rig will be louder and better sounding and not get damaged. You may be able to crank right up and groove on the open strings without farting.

Incredible but ("psychoacoustics") it will sound like bass guitar, even really fat tone bass if its got great low mids, inspite of no super lows.

Problem with used speakers is guy before probably just cranked the bass, and has beat the snot out of the drivers and cones. Cause I dont know if owners used HPF i am increasingly of the opinion that used bass cabs/combos are only worth a small % of new, and will not buy such unless it is stupidly cheap. Like 25% price, not generally what people offer. IMO bass cabs and combos used are generally "overvalued". There are obvious exceptions, especially for real high end stuff, but in the "value" matket not so much.

In this case as already pointed out, u could get new equivalent for not much more $, so frankly, its not worth it (and likely needs a new speaker $$$! if it is to sound good again). If u still even want to bother, offer em whats it really worth (like $50, cause a new driver is $100+++ and work) and when they turn u down, I pretty much guarantee its just sitting unsold a couple years later...
 
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Wow, I forgot about the red light. I liked it a lot and it and always left that feature on. Mine had an on/off.
I remember buying it in 2010 when I was going to buy an SWR LA Series, and the Rumble blew it away. No surprise there, the LA Series were so bland.

Anyway, I liked a lot and it got loud, but when I took it to band practice it wasn't loud enough to keep up with a rock band, so I sold it.
 
We have one of the red light Rumbles in our guitarists studio and it will hold up to a fairly loud practice. I quit bringing my amp after a while and just use that. It’s not the best amp I’ve ever heard but it’s damn sure not close to the worst. Has a 15”.

Heavy, however. Really heavy.
 
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We have one of the red light Rumbles in our guitarists studio and it will hold up to a fairly loud practice. I quit bringing my amp after a while and just use that. It’s not the best amp I’ve ever heard but it’s damn sure not close to the worst. Has a 15”.

Heavy, however. Really heavy.
That's good to know. Mine was the 210.
 
I have had countless amps and combos. I have an old rumble 100 with the red blinking lights on the bottom. I think is the best sounding rig I have ever owned. Put wheels in it if you have difficulty lifting it. I use mine at practice and will really miss it when I kill it.
 
I have had countless amps and combos. I have an old rumble 100 with the red blinking lights on the bottom. I think is the best sounding rig I have ever owned. Put wheels in it if you have difficulty lifting it. I use mine at practice and will really miss it when I kill it.

I'm using a Rumble 100 v1 our keyboard player keeps in our rehearsal room. It sounds good with the bass you see in my profile photo.
 
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