Those make sense. It is literally a different instrument.That's like asking why the upright bass exists
Flats are just a tone knob.
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Those make sense. It is literally a different instrument.That's like asking why the upright bass exists
Because it's too hard to change key signature on a theorbo?That's like asking why the upright bass exists
Have a Ric with old RotoSound Swing 66 on it that are about 30 years old, so they play and feel like flats.
Am i right or what guys ?
flatwound > roundwounds
I play Ernie ball cobalt flats. Wbu guys ?
My preference - half-round, quarter-round, pressurewound. For me it's the best of both worlds. Roundwounds gave me blisters (along with a "scratchy" sound), with flatwounds my fingers had a tendency to get "stuck" on the string. With half-rounds I have neither problem.
Cobalts and Fenders for flats. ProSteels for rounds. That is how I roll.
Cobalts are alllmoooost good enough to become my main strings but my first set died unevenly. So the B and E sounded like an old round, the A sounded like a flat, and the D and G still sounded brand new after about a year and a half. I'm trying another set but if they need to be replaced as much as ProSteels do then there's not much benefit to them over ProSteels (as I like the sound of ProSteels more).
I've been back and forth between rounds and flats over the years.
Every time I play rounds, I like the tone but hate the feel; every time I play flats, I love the feel but the tone leaves me unfulfilled. The Pressurewounds provide the tone I want (= roundwound) with the feel I like (= smoother than rounds).
As for half-rounds, I've tried them a couple of times but decided they're a bit too "flatwound" in their tonal character.
Have you tried ernie ball flats?
No. They don't interest me.
Youre missing out
Have you tried ernie ball flats?
They are excellent. I have enjoyed the smooth texture and tone of Ernie Ball Group flats.
I've been back and forth between rounds and flats over the years.
Every time I play rounds, I like the tone but hate the feel; every time I play flats, I love the feel but the tone leaves me unfulfilled. The Pressurewounds provide the tone I want (= roundwound) with the feel I like (= smoother than rounds).
As for half-rounds, I've tried them a couple of times but decided they're a bit too "flatwound" in their tonal character.
My personal favorites. Been using the 50-105 set for 20+ years. Makes all basses sound good. A bit on the stiff side but that’s just good for the chops in the long run.They are excellent. I have enjoyed the smooth texture and tone of Ernie Ball Group flats.
No but I imagine one day I will if the price is right. I have a 4 and a 5 string P bass with flats on them so if either ever needs a new set I'll be keeping them in mind.Have you tried ernie ball flats?
This thread is entertaining to say the least. I believe the best solution to the argument regarding flats vs. rounds, is to have a bass strung with flats and the rest strung with rounds. I have seven basses all with rounds. I'll try one of them with flats just to see what all the rage concerning flats is about.
This is what I do. One with flats, the others with rounds. Used according to the situation. Generally I like the brighter tone, and can make it thumpier as needed by where and how I pluck..This thread is entertaining to say the least. I believe the best solution to the argument regarding flats vs. rounds, is to have a bass strung with flats and the rest strung with rounds. I have seven basses all with rounds. I'll try one of them with flats just to see what all the rage concerning flats is about.