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open mic solo bass- does this work?

While back I went to an open mic to play with a singer and guitarist, I went early to put my name down so we could play, neither showed up so I started drinking. Part way through the evening when I was a little drunk I heard "Next up is Oscar South", I thought "****" but then in my overconfidence I decided to try and pull it off, I played a Beatles tapping arrangement I'd made a while back (hadn't played it in about 4 months heh), screwed up a few times but I made a few jokes about the situation with the audience and I got the biggest round of applause of the night :D.

I played it one other time to a less musically knowledgeable crowd and most of the pub started singing along with me and at the end were all telling me they'd never seen anything like it before.

So yes I think it can work, I think the trick is when playing to a general public audience that if you play a solo bass version of a song they recognize, it'd go down FAR better than an original or unknown solo bass piece. Anything with a catchy bassline and melody really, I've been meaning to do Ziggy Stardust by Bowie for a while and I'm also working on an arrangement of 'In My Life' including piano solo played on bass which I'm going to replace my old Beatles one (Yesterday) with and use that one as a backup or 'encore' piece. Also a well known but short classical piece on bass can work well too, even for the least classical of crowds.
 
to drag up an old thread...

I think that there are several keys to doing this is and making it viable.

be true to yourself. sincerity and honesty appeals to an audience more than flash, at least in the long run.

exploit your full range. variety will keep an audience engaged.

understand the power of melody. there are scores of players out there with great chops (just visit NAMM or watch the videos for proof), but most people will take home what they can sing.

along the same lines, space is as meaningful as noise. let the music breathe. Michael Manring can absolutely decimate a bass, but he writes and plays music.

talk. people may appreciate your virtuosity, but if you can make 'em laugh or draw them in, they'll come back. by the same token, don't "dumb down" to address a crowd. talk to them like you would talk to your friends. listen to Seth, Trip Wamsley, Jeff Schmidt and Jean Baudin when they're on stage and check out the crowd's response.

don't be afraid of your ability. you've worked hard for your chops. it's okay to let 'em out. just make sure that's not all you have to play.

learn how to 'read' a room. some nights they will be hollering and jumping up and down with delight. some nights nothing you do will get you applause. being able to gauge what's working and what isn't can help this. but no matter what, you can't let it get you down.

most imporant? have fun! when you're having a good time, those watching and listening can tell.

we all steal and parrot as players. that's a part of the process of growing and learning. but if you want to do this seriously, you have to find your own voice. all the cats who are doing this are very identifiable. aside from the instrument, you will not find a lot in common in terms of material between Seth Horan, Steve Lawson, Jean Baudin, Trip Wamsley, Greg Campbell, Jeff Schmidt, Darren Michaels, Paola Venturini or any of those who get on stage alone with a bass. none of us is Michael Manring, Jaco or Victor Wooten. none of us should be. those guys have blazed their own trails. if you want to it, so can you.

it's time, discipline and dedication. just like anything else.

of course, I'm often wrong...

:P
 
I've done it. I played two songs. I started with Victor wootens version of amazing grace(including the slap happy part :) ) and then did Me and My Bass Guitar by wooten with my vocalist(female) and it was awesome, I havent done amazing grace again, but we've done me and my bass guitar 2 or 3 times since, both went over amazingly well.
 
+1

In fact, anything solo I don't like seeing. Very much an ensemble person. Something about a group that is able to lock in and glue together is more exciting than seeing a single person play on stage. On that same vein, it's why I don't go head over heels for people like Jaco or Wooten, but will always focus attention to bassists who ADD to the sound instead of wanting to BE the sound.

Ditto!
 

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