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Opinions on G&L L2000 Tribute?

Hippo17

Guest
Jul 31, 2016
3
1
Hello everybody!

I'm looking to buy a used G&L L2000 Tribute with minimal wear and tear. I was wondering what the opinions on here are about them. Any big pros or cons? I do like the sound of the bass from videos I've watched, but I won't be able to actually play the bass myself. Thanks!
 
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So by chunky neck do you mean kinda sluggish? I would prefer a slightly thinner neck but I would be fine that. Also how's the weight? I plan to start gigging with my next bass purchase and just want to make the perfect decision. Haha thanks shawshank!
 
They're awesome. More tonal options than you're likely to need and sound great passive too. Mine's an 02 model so I think it was made in Korea not Indonesia as they are now. I think it differs from the current ones in that the body is a touch thicker and the nut is wider at 44.45mm (I think it's more like 42mm now). I assume the necks are still quite thick like mine but it they're very comfortable to play. Build quality and hardware are first class.
 
So by chunky neck do you mean kinda sluggish? I would prefer a slightly thinner neck but I would be fine that. Also how's the weight? I plan to start gigging with my next bass purchase and just want to make the perfect decision. Haha thanks shawshank!

The neck is really big. It's about the biggest you can get in a four string bass. The nut is 1.75 inches across. The back profile is somewhat chunky.There may be some old P basses with bigger necks. But it's still a pretty large neck.

The fretboard radius is also pretty flat at 12". I prefer a rounder one around 7" or 9.5", but others don't. You have to try each and see which you prefer.

The electronics and pickups are really awesome. The pickups are high output and punchy with some bell-like overtones on top. Some people may consider them harsh but you can always use your treble knob to cut some highs.

The control scheme is a little confusing at first. Just remember the knobs are for cutting frequencies, and the switches aside from your pickup selector switch are for boosting.

The middle switch is a series/parallel switch. The higher volume setting is series mode and has a perceived bass boost. The parallel setting has a flatter tone where you can hear the brighter highs.

The preamp switch (closest to the output jack) has settings OFF / ON / TREBLE BOOST. When the preamp is on you get an output boost. In treble boost mode your tone will get significantly brighter.

Your knobs are volume, treble, bass. They work even in passive mode (preamp off) which is a rare thing. Usually you don't have bass frequency controls in a passive bass or bass mode.

I'd suggest learning not to be afraid of using the knobs to cut some highs or lows out. That is especially if you're using the switches for any sort of boost. Try it and see. The bass was designed for you to do that. Some people can't get past the controls. However they give you a ton of tones to work with.

The bridge on the L2000 is really great. It's probably the best one I've ever had experience with on a bass (in my opinion). It's the same design on all G&L basses and its unique. Google "Saddle lock bridge".

The body, neck, frets and finish work are all superb on most G&Ls. Even the Indonesian ones.

Overall the L2000 tribute is a really unique and good quality instrument, but if you're looking for a smaller neck on a L2000 then you're going to have to order it from the US plant or find a used American-made one that someone ordered with a smaller neck.

I couldn't get past the huge, flat neck on my old L2000 Tribute so I sold it. However I have a L2000 on its way here that has a modern P bass sized neck. I loved the Tribute model except for the neck. It was the flat radius and large profile together that did it.

Don't be discouraged though. You can get used to anything if your practice with it. One of my favorite necks was a 1.75" wide P bass neck on a Fender Road Worn P bass. That is in spite of playing the narrower, thin Jazz bass style neck for almost my entire bass playing career.
 
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Do you guys have any opinions on the Yamaha TBRX504? Because right now it's between the L2000 or the 504. I know weight and neck is a big difference between them but I don't see myself doing that many gigs in the near future
 
I stopped by Robbie's Music today to take another look at my bass, tried it out again and still didn't notice that the neck was big...felt very comfortable, other than the strings but I'll be putting on Fender 9050 CLs, so....

There seems to be more to a neck than just dimensions. I guess a G&L neck is sort of chunky (especially compared to my Ibanez necks) but oddly I love BOTH the thin Ibby and the "chunky" G&L necks. The neck that irritates me most is the one on my MIM Fender. Go figure. Point is you can describe necks all you want but the important thing is how does it feel when you play it. If it feels good, it is good!
 
I have an 83' L2000, bought new, the bass is a tank, dropped it more times than I care to admit, the Timex of basses. Mine has a P bass nut width, but a very flat "D " profile neck makes it feel thinner. I have smallish hands, but never felt like it was trouble to get around on. If I bought a new one,.id probably get a thinner Jazz style neck. Mine has stainless frets, which is not common, apparently. I was the first owner, so maybe it was a short run or something, no mention of stainless frets in literature of the time. At any rate, they show very little wear after all these years. The electronics offer a lot of options, but I have a few settings I gravitate to, no big deal. The build quality is superb, a lifetime bass with no hassles. Other than very infrequent truss rod adjustments, ive never had to do any other adjustments or repairs in 30+ years. Leo got it right. Its capable of thick lows and growling highs, and everything in between. Can cover all the standard P, J,.and even a decent Ric simulation. Buy it!
 
I have an 83' L2000, bought new, the bass is a tank, dropped it more times than I care to admit, the Timex of basses. Mine has a P bass nut width, but a very flat "D " profile neck makes it feel thinner. I have smallish hands, but never felt like it was trouble to get around on. If I bought a new one,.id probably get a thinner Jazz style neck. Mine has stainless frets, which is not common, apparently. I was the first owner, so maybe it was a short run or something, no mention of stainless frets in literature of the time. At any rate, they show very little wear after all these years. The electronics offer a lot of options, but I have a few settings I gravitate to, no big deal. The build quality is superb, a lifetime bass with no hassles. Other than very infrequent truss rod adjustments, ive never had to do any other adjustments or repairs in 30+ years. Leo got it right. Its capable of thick lows and growling highs, and everything in between. Can cover all the standard P, J,.and even a decent Ric simulation. Buy it!

i've got an 83 too, excellent basses and as far as the stainless frets, that's a custom option according to the guys in fullerton
 
I played an L 2000 tribby the other day and it had a standard late model P bass nut width; not the 1 3/4 discussed above.
I was impressed with both the L2K and M2K tribby's I played. I gave the nod to the M2K though; the L2K sounded weaker than my USA L2K. could have been the difference between 9 V and 18 V basses played back to back.
 
Fantastic instrument.
If you don't like a chunky neck or hot pickups then that's the only potential con.
I started a thread awhile back about this bass as well.
You won't be disappointed.

Yo, shawshank. Do you still have this bass? If not, why did you let it go?
 
Do you guys have any opinions on the Yamaha TBRX504? Because right now it's between the L2000 or the 504. I know weight and neck is a big difference between them but I don't see myself doing that many gigs in the near future
I can't compare these models EXACTLY, but I had a TRBX305 and own an L2500. The necks and sting spacing are vastly different. The tone controls on the TRBX models is more intuitive to get a range of tones. The L2500 took some getting used to. I run my L2500 passive. The active stuff was too much.

Funny thing is I'm trying to pick out a "celebration bass" (new job/promotion) for myself and I'm considering another L2500 in the redburst with maple finger board(looks awesome) or the new TRBX605 (like 505 but with fancy top) in amber. I'm leaning TRBX right now since I no longer have one and I really liked it.

Good luck.
 
It’s still in the family but I don’t have it in my possession.

I just accidentally bought one from Guitar Center. The ad did not say Tribute. I didn't see it until I zoomed on the headstock and looked REEEEAALL close. I thought I was getting a steal on an American made one. lol Anyhow, I'll give it a try. I think it's basswood, so I'm not going to get my hopes up.
 
I just accidentally bought one from Guitar Center. The ad did not say Tribute. I didn't see it until I zoomed on the headstock and looked REEEEAALL close. I thought I was getting a steal on an American made one. lol Anyhow, I'll give it a try. I think it's basswood, so I'm not going to get my hopes up.
Hopefully it works out. But there’s a return policy from what I hear, so at least give it a run through before you reject it.