Anything works. Stopping after every song with dead air space ain't it for me! If you have folks on the dance floor and you stop, you'll lose them!! It doesn't have to be a medley but that drummer better be clicking off for the next song!!
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Unless you're stopping to talk for a couple minutes between every song, you should be paying attention to keys of adjacent songs in your set lists, and how one song flows to another. Medleys are a bit more work, because you're chopping stuff up and you're meshing more songs, but they're not that much more work than a well done setlist. Medleys are not good if you're short on material, but once you have more than enough it's a way to sneak a few more favorites into the evening - you make points when you play someone's favorite song. If you play a few more songs, you increase the likelihood that you will play your audience's favorites - it's good business for a cover band to do a few medleys. At the end of a set, a medley also increases the pace of things - songs come by quicker, which helps keep folks on the dance floor, and can build excitement and keep folks around through the break between sets.Our cover band is doing fine, playing out enough, making some money on weekends so we're doing OK. But one guy in the band has all these ideas for some big medley he wants to do somewhere during the evening. I dislike the idea, and the guy is a BSer so we'll probably never see one anyway.
But let's just say it actually happens. I can just see us wasting rehearsal time trying to make songs work together that don't, or god knows what. Key changes that are half baked etc. No way to really go through it at home unless it's recorded right etc. No way to really be on top of it. I guess in the end I'm open to it, if he really has it down and can show us how to do it well. But that's being overly optimistic at this point, from where I sit anyway.
Plus if I go to a show I don't like medley's anyway.
Anybody else have experience with this or help me have a more postive attitude about this? Learn the songs as they are first, then put them together etc.? Meh, I'm thumbs down, but I could be wrong.
Professionalism!Anything works. Stopping after every song with dead air space ain't it for me! If you have folks on the dance floor and you stop, you'll lose them!! It doesn't have to be a medley but that drummer better be clicking off for the next song!!
I think you're right. This is interesting, and helpful, wasn't expecting the positive response to medley's.If doing a medley is a "pain", then I'd suggest you're probably not doing enough work on your set lists currently. Do you want to be a lazy band, or a well oiled musical entertainment machine? Your call.
This was done 40 years ago, still brilliant…Which reminds me -- Surf Rock sounds like another genre ripe for this -- WipeOut, Walk Don't Run, PipeLine, Misirlu if you can pull it off..
We play a bunch and they’re great. More than Medleys I’d say they’re pre-planned “groupings of songs”. Like 80’s Medley:
Your Love, into
Jenny Jenny, into
Jesse’s Girl
You’re kidding, right? I think Kid Rock stole your thunder here.I always wanted to do a mashup between Werewolves of London and Sweet Home Alabama, one of those back and forth ones from song to song and back.
In all actuality this has always been my preference, though I group them together in my mind. Last beat of the first song is the first beat of the next, and never give the dancers a break except to slip into a slower song here and there.There are medleys and there are segues.
I far prefer a cool segue, but you play both songs in their entirety.
Sweet home, summertime (kid rock) werewolves is a mashup my band does.I always wanted to do a mashup between Werewolves of London and Sweet Home Alabama, one of those back and forth ones from song to song and back.