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Orange Terror Bass 500 v2 quick review

I just tested out a used Terror Bass 500 v2 for about an hour with a few different basses. Cosmetically, in was in perfect condition, but I don’t know about the type/condition of tubes inside. Unfortunately, I was only able to play it through one cabinet, an ashdown 410. After reading so many good reviews, I’ve been eager to try this thing for a while! Here are my initial thoughts:


The preamp sounds nice, like a good passive tone stack tube amp should. The eq knobs offer subtle tone shaping, which isn’t really a drawback because it sounds pretty natural in most positions.


I liked playing it at the edge of breakup, with the gain knob roughly halfway up, in the 10:00-2:00 range. Nice touch sensitivity, and good harmonic complexity in the mid-top end of the spectrum, and a crisp gritty overdrive.
I played mostly with a pick, and a little finger style as well.

I didn’t personally care for the clean setting, it didn’t sound bad, just boring for my tastes. The pad switch did offer some nice variation though, even with passive basses. Without the pad engaged, the top end sounded more wide open and hairy, with the pad on I could tighten up the high-mids and highs a bit, and push the gain up a little more.


I have read several reviews praising both the bottom end and loudness of this amp. I was a little underwhelmed with the lows myself, but I tend to like full tube amps with with deep fat lows available, like HiWatts, SVT’s, bassmans, and ashdowns and older Mesa boogies. I would describe this amp’s low end as solid, lean, and precise. It sounded to me like there’s a high-pass filter in the circuit somewhere in the range of 40-80hz. And if that is the case, that could be contributing to the sense that this is a particularly loud 500 watts.


I would love to play this side by side with some other hybrid amps, because I wouldn’t personally describe this as sounding too much like a full tube amp as some others have described. It sounded to me like a good tube preamp in front of a neutral and tight solid-state power amp. It did not give me the rich thick harmonic complexity that can be found in the bottom end of a good all tube amp. But, not everyone wants or needs that. I would imagine that this amp cuts and punches through pretty well in a live mix.
 
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The most comparable amp I’ve tried in recent memory was the Markbass Little Mark vintage, which I liked more than I expected to. I won’t make too much of a comparison, because I tested that one in a different store, much bigger room, through a different cab. But, I want to say that amp sounded a little warmer, maybe with a deeper low end, and offers a broader tonal variety. It has a very similar price and power level to the TB500, and I would love to hear them side by side someday.
 
Nice review. I’d agree with your impression here that the low end isn’t as full feeling. Something about the AD200 that just feels huge in the room for an an amp under 200 watts, and the terror doesn’t quite match it.

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Nice review. I’d agree with your impression here that the low end isn’t as full feeling. Something about the AD200 that just feels huge in the room for an an amp under 200 watts, and the terror doesn’t quite match it.

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Aside from
Size/weight/convenience, would you say that the TB500 has any advantage over the AD200? Does the 200 sound better in every way, or are there some situations where you favor the TB500 tonally, or feature-wise?
 
Aside from
Size/weight/convenience, would you say that the TB500 has any advantage over the AD200? Does the 200 sound better in every way, or are there some situations where you favor the TB500 tonally, or feature-wise?

I grab the TB500 when I want a light load in/out. The band I use these with I usually run a little berg 210 at 8 ohms, so they’re closer in wattage. With the AD I usually stack the cab on top of the road case for the amp which gets it up off the stage a bit and closer to my ears. I feel like the AD is richer sounding overall, just fills the room even at low volumes. The TB sounds good too, just as you said not all the way there.
 
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I grab the TB500 when I want a light load in/out. The band I use these with I usually run a little berg 210 at 8 ohms, so they’re closer in wattage. With the AD I usually stack the cab on top of the road case for the amp which gets it up off the stage a bit and closer to my ears. I feel like the AD is richer sounding overall, just fills the room even at low volumes. The TB sounds good too, just as you said not all the way there.


That makes sense. “fills the room even at low volumes” - that’s been my experience with all tube amps generally. I have yet to hear a hybrid amp that has that 3 dimensional room filling, body-surrounding quality. I have heard some solid state amps, like old GKs for example that have a similar expansive warmth in the lows, but they definitely didn’t have the harmonic complexity and touch sensitivity of a tube amp in the mids and highs. When I was playing through the TB500, I was thinking it sounded more like listening to a recording of an ad200.
 
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Hi all! I have one simple question- how does Orange tb500 V2 compress the sound? I like only sligh compression in my sound for saving more dynamics, so Im curious if it brings some natural compression that could be enough for my needs. Or do you advise to use another compressor in signal chain?