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Overdriving solid state amps with the gain control yay or nay?

Sep 24, 2015
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Hi all
Have noticed at the place I rehearse that I can overdrive the amp by turning the gain control up high, its not overdrive from pushing the speakers too much as it overdrives like this even on low volume and there is no overdrive feature on the amp so the overdrive is purely from cranking the gain really high. Have been tempted to do this for some of the rehearsal but never have for fear of blowing something, Just wondering if this is safe to do ?
 
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I've heard some mixed things about the damage from heat a head can experience when overdriven too much. That may be nonsense.
Most SS amps don't sound particularly good over driven unless designed to do it. Sometimes they can add a little grit to your attack, but if you saturate the lows, my experience has been it sounds farty, and like a amp going bad. YMMV
What brand and model head is it?
 
What kind of amp?

Some solid state amps take to it very well (GK 400 RB comes to mind). Some don't.

Are you able to post sound clips or video? It's always nice to hear another overdrive option.
 
I've heard some mixed things about the damage from heat a head can experience when overdriven too much. That may be nonsense.
It is nonsense. The only difference between creating distortion by cranking the gain and creating it in a pedal is where it takes place. Pedals tend to do a better job of it, because it's a lot easier to make a circuit that's intended to sound dirty than one that's intended to sound both clean and dirty.
 
Am I missing something? That's how you do that with amps that don't have an overdrive channel. How pretty it sounds is obviously opinion, mine being that usually it isn't pretty. Of course gain wide open isn't something I would suggest trying, but no reason using something north of 2:00 to get grindy is inherently bad. Many guitar amps are designed to be used like this. I would think some bass amps are too.

The "rules" I always thought were fairly common are (1) when you want the amp providing the tone, dime master and use gain as volume. (2) When you want the bass providing the tone use the gain just below breakup and use master as volume. (3) When you want overdrive, set the amount you want using the gain and use master to set max volume. (4) If you want a pedal to provide the tone, use the effects return or set amp eq at noon; adjust to taste.
 
It is nonsense. The only difference between creating distortion by cranking the gain and creating it in a pedal is where it takes place. Pedals tend to do a better job of it, because it's a lot easier to make a circuit that's intended to sound dirty than one that's intended to sound both clean and dirty.
Doesn't a pedal do it through clipping diodes designed to distort vs pushing a circuit to hard that wasn't meant to be?
 
On a well designed solid state amp there shouldn't be any problem.

There are solid state circuits that can sound good overdriven, but some can sound positively awful too. Some circuits do odd m, unexpected things when overdriven.
 
Doesn't a pedal do it through clipping diodes designed to distort vs pushing a circuit to hard that wasn't meant to be?
The amp designers were making a gain stage with a sweet spot that is similar to a light overdrive pedal, a distortion pedal is more extreme. It was meant to be. I did this with my Sunn coliseum all the time, it sounded great. Rock out.
 
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The amp designers were making a gain stage with a sweet spot that is similar to a light overdrive pedal, a distortion pedal is more extreme. It was meant to be. I did this with my Sunn coliseum all the time, it sounded great. Rock out.
I thought the Sunn amps were designed to have a drive channel; sort of an intentional feature. Much like how the new Darkglass mini amps have specific channels for drive.
I'm guessing a little here. I know Sunn is famous for their SS amps with lots of pleasant gain. Most SS bass heads aren't.
 
I thought the Sunn amps were designed to have a drive channel; sort of an intentional feature. Much like how the new Darkglass mini amps have specific channels for drive.
I'm guessing a little here. I know Sunn is famous for their SS amps with lots of pleasant gain. Most SS bass heads aren't.
Every bass amp I've ever owned with separate gain and master actually, do as you like though!
 
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I thought the Sunn amps were designed to have a drive channel; sort of an intentional feature. Much like how the new Darkglass mini amps have specific channels for drive.
I'm guessing a little here. I know Sunn is famous for their SS amps with lots of pleasant gain. Most SS bass heads aren't.

Sunn beta leads and beta bass heads are climbing in price because stoner rock bands like Red Fang are using them and finding the ss overdrive pleasant.
 
Pushing the amp to overdrive is called hitting the rails. The best tone I've heard from a solid state amp hitting the rails, is an Acoustic 220 from the 70's, as used by Rob Wright from Nomeansno. There's also a solid state Traynor that has a good grind and they even made a preamp pedal based on its circuitry called The Rusty box (Bob Weston from Shellac's amp). GKs and old Sunns have a great hitting the rails grind too.
 
Sunn beta leads and beta bass heads are climbing in price because stoner rock bands like Red Fang are using them and finding the ss overdrive pleasant.

The Alpha and Beta series amps used digital CMOS chips operating in their linear range (i.e. between the high and low switching voltage points) to generate distortion. Clever design!
 
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