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P bass in Jazz?

1SHOT1HIT said:
What exact purpose do those scallops serve?
I've asked this a few times but nobody seems to really know.

Best answer so far is that it's just a speed thing.

My own personal thought was that maybe it allows him to further bend the string on certain notes.

Anyone know for sure what his intentions were there?

I saw an interview once where he says it allows his fingers to "bite" more into the string giving him more meat around the string to better control his bends.
 

That's fusion /funk jazz, very nice indeed but one evening in the mid '90s Bob Berg played a "real" jazz gig (i don't remember the location exactly) with Adam Nussbaum, Dave Kikoski and Lincoln Goines on doublebass. Bob killed!(as he usually did :D) and Lincoln sounded like a "real" jazz bass player that night and I have to admit, he played excellent!

 
I just don't get P-basses. To me they are the ugly older sister or plain jane bass. I have owned three of them so don't start hatin on me. I will pick a Jazz over a P-Bass any day. If I want to sound like James Jamerson I'll just let my strings get old and run the front pickup.
 
lousybassplayer said:
I suppose, but since I am a music theory D+ student at best, my "jazz" sounds just as good played on chickenwire. With all that random galavanting arund the fretboard, I am afraid the precision of a P bass would ruin the natural flow of jazz music.

Precisions are best for more precise music, you're right. Like Bluegrass and classical. Speaking of chickenwire, there's a new Modern Player series coming out that ship with chickenwire!!

You make D+ sound like its a low mark...? But you're studying jazz. Huh. You don't need to know any theory for jazz man, if a note sounds bad just move up or down one half step! Bam! Resolved! You can tell your theory "teacher" that Wooten said so. Just drop that course!
 
I agree with Flaked Beans - while it may have a single pickup and no active electronics, Mr Jackson's bass does not sound, to my ears, so much like a Precision. It sounds like a Fodera Anthony Jackson Presentation, and nothing else sounds like that. It is simply majestic.

Am i the only one who thinks AJs sound was better when he used his Fender?
 
I play a P-bass in a jazz setting. The great thing about P-basses is that, with a little tweaking, they can blend with just about anything. You're never going to sound like an upright, but you can still play jazz and sound great. Though I may not be one, a good bassist can do anything with a p-bass.
 
I play a P-bass in a jazz setting. The great thing about P-basses is that, with a little tweaking, they can blend with just about anything. You're never going to sound like an upright, but you can still play jazz and sound great. Though I may not be one, a good bassist can do anything with a p-bass.

Didn't steve swallow play one on john scofield's shinola and out like a light?
 
Didn't steve swallow play one on john scofield's shinola and out like a light?

Yes, WITH A PICK.
You can do whatever you want, seriously.
I'm someone who gigs regularly on both string bass and electric bass. I have a P and a J. Both sound great, it's really just about what suits the music of the day better and if I want to bring a 4 (P) or a 5 (J).