• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

P Bass what am I missing

20150303_184757.jpg
I really don't know, because of that I replace/install a PJ from EMG and a Tonechaser circuit.
Sounds like a trumpet now, amazing...
 
I have seen several live bands lately where the Bass player alternated between a P and a Jazz.

In each case, the P bass was muddier than the Jazz. The Jazz sounded great out in the audience but the P, Not so much.

IMO, you can get everything you need from a Jazz bass including about 95% of the P-Bass sound.
Absolutely correct: in your opinium.
But each individual has an individual taste...
I love both basses, but actually I prefer to play with my Peavey Sarzo, fantastic tone and playability - and much light to my backs...
 
At some point...maybe sometime in the next six months, I want to add the tenth and last bass to my collection...I want a P-Bass with a P/J setup. I'll get the "P" if that is all I want, and a bit extra tone with the "J" in the bridge position... I will have it wired for both mono and stereo out. Since Fender does not make one that I like (body woods, neck choice etc), I plan on building one.
The P-Bass offers a growly mid range bite, kind of like a Ric, but has a very specific print on it's tone that I can kind of replicate with the neck pickup soloed on a Jazz Bass.
 
  • Like
Reactions: PluffMudQueen
All,
Look I know this is a very subjective topic, but that being said, I have a MIM Fender Jazz bass, and a Fender Rascal SS bass. I'm a guitarist for 25 years and now I'm on fire with bass. Since I love blues and classic rock, the P bass is played a lot in these genres. What does the P bass offer in contrast to the Jazz in terms of playability and tone?
A lot of sweetness....
 
  • Like
Reactions: brendanbassix
I have both a P and a J.
I use and love both.

The P has a magical ability to sound right in most music.
A lot of that is because most of what has been recorded involved Ps,
so our minds expect that sound.

For those that think Ps are just a one trick pony;
imagine playing a P with old flatwound strings,
using your thumb to pick, over the end of the neck.

Now, picture playing that same P with fresh RS66s,
using a stiff pick, hard, right by the bridge.

Still think they are all the same?
 
I have both a P and a J.
I use and love both.

The P has a magical ability to sound right in most music.
A lot of that is because most of what has been recorded involved Ps,
so our minds expect that sound.

For those that think Ps are just a one trick pony;
imagine playing a P with old flatwound strings,
using your thumb to pick, over the end of the neck.

Now, picture playing that same P with fresh RS66s,
using a stiff pick, hard, right by the bridge.

Still think they are all the same?

No offense, but that applies to any bass.
 
I have seen several live bands lately where the Bass player alternated between a P and a Jazz.

In each case, the P bass was muddier than the Jazz. The Jazz sounded great out in the audience but the P, Not so much.

IMO, you can get everything you need from a Jazz bass including about 95% of the P-Bass sound.
Really? It's almost always the other way around to my ears.
 
  • Like
Reactions: PluffMudQueen