For a while now my signal chain has been like this:
Bass > Boss NS2 > Digitech BSW (as an octaver, mainly) > EBS Multicomp > Sansamp Prog. BDDI > Boss CEB-3 bass chorus (rarely used) > Markbass rig (210 combo, plus 115 extension cab for most gigs). All the stomp boxes are on a Boss board. For tuning I’ve been using a little Korg CA-30 tuner, velcroed to the front of the combo, which does the job fine.
But in my never ending search to get as lightweight and portable as possible, I’ve been experimenting with a Korg Toneworks Pandora PX4-D, with the optional extra wallwart, to replace my pedalboard. It seems to be working out pretty well. I’ve got it stuck to the top of the combo and on Saturday I’ll be doing my first gig without the pedalboard to see how it goes ("Boooo…" say all the effects forum aficionados).
Here are the advantages and disadvantages as I see them at the moment…
Bass > Boss NS2 > Digitech BSW (as an octaver, mainly) > EBS Multicomp > Sansamp Prog. BDDI > Boss CEB-3 bass chorus (rarely used) > Markbass rig (210 combo, plus 115 extension cab for most gigs). All the stomp boxes are on a Boss board. For tuning I’ve been using a little Korg CA-30 tuner, velcroed to the front of the combo, which does the job fine.
But in my never ending search to get as lightweight and portable as possible, I’ve been experimenting with a Korg Toneworks Pandora PX4-D, with the optional extra wallwart, to replace my pedalboard. It seems to be working out pretty well. I’ve got it stuck to the top of the combo and on Saturday I’ll be doing my first gig without the pedalboard to see how it goes ("Boooo…" say all the effects forum aficionados).
Here are the advantages and disadvantages as I see them at the moment…
- It’s a LOT smaller and lighter than the board, and it fits in my gigbag (duh). I’ve got it stuck nicely to the top of the combo. Yes, Velcro again, what would we do without it?
- It replaces the Boss NS-2 for both muting and as a noise gate. It also replaces the tuner (and it’s backlit, hooray).
- It does the sub-octave thing well enough for the numbers where I use it, although it doesn’t track quite as well as my BSW.
- The compressor works but isn’t in the same league as the Multicomp. I don’t need to use it that much in a live situation anyway.
- The amp modelling gives it a good range of useable tones, but occasionally the BDDI can’t be beat in that respect – and I’ll still have to take that along when I need a good quality DI box.
- The other effects on the Pandora range from the good to the bizarre. The chorus is just okay rather than great (but see above). The synth, overdrive, delay and wah options are nice though (as are some of the others) and may get a bit of use.
- No foot switching. Not a big issue for me as I tend to change between numbers rather than during.
- Like any effects unit, some patches are a bit noisy, but it should be fine for stage use, although I wouldn’t use it for high quality recording (but then I don’t use my pedal chain in that situation, either).
- Some effects combinations aren’t possible. For example, you can’t use compression and the octaver at the same time (at least, I can’t work out how to do this – please correct me if I’m wrong). Again, not a big issue for me. EDIT I figured out that you can have the compressor on and then use the pitch shifter (separate effect to the octaver) to drop down 12 semitones. Works okay.
- The basic sounds I’m getting seem excellent to me overall, and I can use the drum patterns when our drummer gets drunk.

