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Peter Cetera in Bass Player

Peter used the following basses with Chicago:

Gibson EB-3
Fender Precision (blonde w/maple board)
Fender Precision (blonde w/rosewood board)
Fender Precision (white w/rosewood board)
Fender 70's Jazz (black w/maple board/blocks)
Fender 70's Jazz (white w/maple board/blocks)
MusicMan Stingray (Black w/maple board)
MusicMan Stingray (Red w/black pickguard & maple board)
Spector NS-1
Steinberger

Just picked up the Cetera BP issue...on the cover, he is playing a black Rick?!?
 
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I agree. If you like CTA, you will LOVE "V" (my favorite). "Now That You've Gone" is a monster!!! Also, I highly reccomend that you invest in the Carnegie Hall set. It is a true live album.

Also, check out "Relayer" by YES (especially "Sound Chaser") for some real stretching.

I picked up Chicago V last Friday while visiting the Rock and Roll Hall of Fame, and you are right, DZIB. It is full of wonderful bass playing.:)
 
This topic made me go dig out my old Chicago stuff, I through VII actually.....what fine music, and excellent bass playing, regardless of what some clueless people might say in another topic.

But what also surprised me was I forgot how POLITICAL this stuff was, them coming out of Chicago around 1968...

"The whole world is watching, the whole world is watching.." It was like a time machine back to the days of my youth (where I would never have dissed a guy like Cetera on a site like this, if they had sites like this way back then...) ;)
 
some one who was there in 68, might beg to differ...just sayin, ya know....

PJ never had to worry about the draft...the draft made things MUCH different

" you are, you are on a plane now, and on your way up northhhhhhh...
Canada, is so far from where, you want to be..."
 
I actually believe the war ending (along with Kaths death) actually hurt Chicago. Their music didn't have the same passion afterwards. It was like they needed something to believe in, to quote Brett Michaels. They were a very political group, certainly as political as any pop band during their era. The Viet Nam war effected EVERY college age kid until Nixon ended the draft. If you weren't going it was because you got a deferment (a lot of work for most kids), and everyone had a friend who went.
 
In the article, I like when Cetera talked about his 1st bass & how he had it tuned the same as the 4 low strings of a guitar-
"Gee, this doesn't sound so deep".
Then someone sits in, plays it, & sez "What the Hell?!"
 
Just received my issue[it takes a bit to make it out here], great article! It was also very cool for him to mention Andy Fraser, one of my biggest influences.
 
Trust me on the Carnegie Hall set. It is a real "live" album. They kicked butt live. TRUST ME!!! I guarantee you will love it too.

Peace

Yes, its a real live album, but the band wasn't real happy with the recorded sound of that box set. James Pankow said the horns sounded like kazoos.

Anyway, here we are 35+ years later, still enjoying talking about this band. I was a fan, still like their early stuff (I was listening to the 1st CTA album last night, and heard Poem 58 for the 1st time in many years. Pretty wild stuff. Almost psychedelic.

Remember the critics just ripping them and their music apart in the music magazines and such? I remember one Rolling Stone review that said nobody in the band could really sing, so what did they add to the band? A conga player instead of a singer (Laudir DeOliviera). Also, the schmaltzy Chicago logo that they kept schlepping up their album covers with, stuff like that.
 
Also, the schmaltzy Chicago logo that they kept schlepping up their album covers with, stuff like that.

That logo was one of the things you could always count on...that & an album with more than 1 LP (until V came around). ;)

Their 1st album has always been one of my favourite debut recordings...any genre.
 
"Free Form Guitar" is what it is...back in the early daze, I'm sure I skipped over that piece. Much later, I got into it (as I got into "noiser" material).
I haven't listened to it in maybe 5 years or so...I think the "Eruption" fans would dig it.
;)
 
A great live album to be sure.... but I always much preferred the 'Live in Japan' album from the same period. Check around for the CD on eBay etc...

LIJ is a great one too, although I prefer CH due to the fact I bought it when it was released in 1971. I got LIJ a few years ago. I guess it's the nostalgia factor.

As far as "Liberation" goes, It is pretty laborious until the end. It has a great climax. "Free Form Guitar" is aptly titled. If you like long guitar jams I guess it would be good. I'd rather listen to Kath's guitar work on "South California Purples" or "It Better End Soon".
 

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