I’m not sure whether I should take a P, smoke a J or just lounge in my PJs during quarantine.
All three, in the order given, seems like a great plan to me...
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I’m not sure whether I should take a P, smoke a J or just lounge in my PJs during quarantine.
the clarity of a p is good. dulled by mixing in another pickup, not so much
+1..especially if you pop a Dimarzio Jazz in the bridge ala T-Bone...My guess is you don't have well matched pickups.
No, it's not going to sound just like a standard J, no surprise there, but a well matched PJ set has a lot of useful tones (including burpy) on tap.
I think it is high-time for a “a j or a p can’t get that pj sound” thread.
Maybe I'll start my own, "P/J's do not sound like P's or J's! GET OVER IT!!" thread. View attachment 3777538
Oh, wait! That would be redundant!
Seriously and for truly…bassists already put P's and J's in their own, respective categories. Wouldn't it be a lot easier on our collective minds, not to mention our bandwidth usage, to simply see P/J's as a whole as it's own, unique category of bass guitar? This way, people can knife-fight over "Which <insert type of bass here> is better?" on their own, unique merits, strengths, flaws and shortcomings without muddying the waters so badly that we end up with thousands of mushed-up and retreaded threads.
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Anything with two pickups and a blend can get close enough that your audience won’t notice.
There are more basses than just a Precision or Jazz.
I’m not sure whether I should take a P, smoke a J or just lounge in my PJs during quarantine.
If you cannot get a burpy sound out a soloed J pickup on a PJ bass, your bass has issues. I have never had a trouble getting a burpy tone out of a soloed J pickup on a PJ bass.
Whatever. Couldn't care less.
I've found that some of that burp is in the fingers.
I agree. I never use the J pickup on my P-Bass. If I want that Jazz sound I just plug in my Jazz Bass.a good set of jazz pickups delivers a burpy tone. a pj cannot deliver it.
i have 1 pj. when i use it, the bridge pick up is off, even though its a good
one it does not improve the sound or clarity. p only is a killer, usefull tone.
but the two are different. you cannot get a burpy jazz bass tone from a pj.
go ahead and bring the heat. i can take it lol
the reason i put a model j in the bridge position is
1 they are ballsy sounding
2 its noiseless
by itself it sounds good
mixed with the p pickup....meh
^that. My friend has a parts bass (American Fender Jazz neck, Warmoth Jazz body) with reverse P/J routing and some kind of Duncan P/J pickups, not Quarter Pounders, sound pretty close to vintage Fenders, and he has a series/parallel switch for the P pickup. I defy anyone to tell it from a real Jazz bass in parallel mode in even the simplest jazz trio mix, let alone in a big rock one.If your P-style pickup is wired in parallel or has a series/parallel switch, it can get closer.
I just plug straight into my amp, no effects, clean sound. I use the same tone knob settings on the amp for my P and my Jazz and they definitely sound different. The P has a bigger, fatter sound and the Jazz is thinner sounding.It's easy to get accustomed to something after many years..sometimes a person can even get caught up in a "train" of thought about a particular issue..here we have discussions about pickup sounds and what they can and cannot do..I have played fender jazz basses for all of my life.......as many years passed there was no concern as to whether the pickups sounded this way or that..if someone wanted the "jazz" sound thats what they played..I am not going to get into the other aspects of the sound such as playing technique..strings..bass amp and knob configuration and external boxes..and room arrangement.................back in the day..a jazz was a jazz..and something else was something else..lots of people today are getting sucked into that black hole of minuscule differences......there are plenty of knobs to make something sound like what you want it to sound like.....I am playing my bass through a tech 21 RPM preamp and from there into an ampeg SVT Pro 4..and into multiple cabinets.......if it was behind a curtain and you couldnt see it..you could only guess at what it was by its sound..I can make it sound like anything I want it to sound like..I could switch to a gibson instrument and you couldnt tell............guess its all mind over matter.
Is it on a switch, or blend. The chances of getting an immediately useful 'blend' from a 3-way switch are close to nil, IME.
The TB collective certainly seems to have a pervasive opinion that the only bass worth playing is a Precision, and even at that you're doing it wrong without tort and flats, haha! Not everyone, but the majority from what I've seen.I'm with Jimmy. We can't get over something we don't particularly care about. What gave the OP the idea to start a thread like this? The idea of 'getting over it' would assume the TB collective has a strong opinion on the matter. And I don't see that.
I've found that some of that burp is in the fingers.