I was pretty busy all day but had time to play "Head Over Heels" by Tears for Fears 3x and then Sweet Child O' Mine 3x....then back to work. What'd you play today?
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I took the day off. Tomorrow will be working on Gypsy, My Girl and a few others for a gig next week.I was pretty busy all day but had time to play "Head Over Heels" by Tears for Fears 3x and then Sweet Child O' Mine 3x....then back to work. What'd you play today?
I have another jazz gig coming up, so I've been working on our originals, as well as Chick Corea's "Spain" and Tony Williams' Lifetime's "Fred". Both are wicked fun to play, esp on fretless.I was pretty busy all day but had time to play "Head Over Heels" by Tears for Fears 3x and then Sweet Child O' Mine 3x....then back to work. What'd you play today?
I concurSomething I did for quite a long time was learn a new cover tune every day. It had zero to do with gig prep or a song I would remember. I would bring up YouTube, and pick a song. More times than not, it was usually a song I had never heard before, a cover of a cover, or something that I would normally not enjoy listening to. It was a great learning tool. Hearing how different bassists approached a song, or note and rhythm choices, was a great exercise. Thinking of it now, I should probably revisit the practice.
On “Sweet Jane”, you should check out the Velvets’ original version, there’s an interesting but odd, maybe annoying, vocal harmony on the chorus to compare to. The Mott The Hoople cover from 1972 has sort of the same thing, but faint. It was surprisingly lackluster overall.I've been practicing a few new tunes for my little garage band:
"All Day and All Night" (Kinks)
"Problems" (Sex Pistols)
"Sweet Jane" (Cowboy Junkies)
I'm singing lead on "Problems" and harmony (which I invented) on "Sweet Jane," so that's upping the difficulty a tad.
Thanks for that. I haven't listened to that in maybe 30 years, time to dust it off.On “Sweet Jane”, you should check out the Velvets’ original version, there’s an interesting but odd, maybe annoying, vocal harmony on the chorus to compare to. The Mott The Hoople cover from 1972 has sort of the same thing, but faint. It was surprisingly lackluster overall.
Lou complimented the band on their arrangement. I’ve heard some VU bootlegs of the song in development, it was slower, but Margo and company made it sound like it was from the third album.Thanks for that. I haven't listened to that in maybe 30 years, time to dust it off.