• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Playing techniques should not be viewed as separate entities.

I believe that thinking of slap/finger/garrison(or dipiazza or just four finger technique) as separate entities requiring large shifts in position and way of thinking is folly. They are the same, the only difference is a small shift in your right hand and a different sound coming from the instrument.

Nobody thinks playing 2 finger over the bridge pickup is a different beast entirely from playing over the neck pickup, why should slap, double thumb, four finger etc all be seen as such different forms of playing?

Watching a player like Wooten or Manring really shows a fluidity in right hand technique that lends itself towards expression and sound rather than simply "slap bass" or "four finger plucking". The same way a great guitarist doesn't just run through sweep arpeggio patterns and call it music but rather uses the motion as a tool to get through a sequence of notes that he has written.

Anyways, that is my 2 cents and silly rambling...

[Invalid or Expired Link Removed]
 
A technique is a way to get a specific sound out of an instrument, along with a way to physically play something in terms of musical instruments. It's like double tonguing, trills, circular breathing, and whatnot for wind instruments; you're still using your mouth and tongue, but you're getting a different effect from the instrument.

With bass, playing with a pick, using the tips of your fingers, and "slapping" the bass each get a different sound out of the instrument, so obviously they're going to be called different techniques. The things that Wooten and Manring do are basically very advanced versions of those techniques.